Release Date:
Downloads include choice of MP3, WAV, or FLAC
BSXDG8922
Includes Digital Booklet
BUYSOUNDTRAX Records presents the original soundtrack to THE TOUCH, featuring music composed and conducted by Basil Poledouris (CONAN THE BARBARIAN, LONESOME DOVE, THE BLUE LAGOON) for the 2002 martial arts adventure film directed by Peter Pau, starring Michelle Yeoh (TOMORROW NEVER DIES, CROUCHING TIGER, HIDDEN DRAGON) along with Ben Chaplin (THE THIN RED LINE, STAGE BEAUTY, WORLD WITHOUT END) and Richard Roxburgh (MISSION: IMPOSSIBLE II, MOULIN ROUGE, SANCTUM).
BUYSOUNDTRAX Records presents THE TOUCH on compact disc again for its first release in the USA. The music has been remastered for much improved sound, along with bonus tracks not available on the previous CD releases. The booklet includes exclusive new liner notes by author Randall Larson, including new insights from Poledouris colleagues Tim Boyle and Eric Colvin, along with the film’s editor, Marshall Harvey on the creation of this unique score, one of the last scores in Basil Poledouris’ filmography.
THE TOUCH - Original Motion Picture Soundtrack
Basil Poledouris
$8.95
Downloads include choice of MP3, WAV, or FLAC
BSXDG8922
Includes Digital Booklet
BUYSOUNDTRAX Records presents the original soundtrack to THE TOUCH, featuring music composed and conducted by Basil Poledouris (CONAN THE BARBARIAN, LONESOME DOVE, THE BLUE LAGOON) for the 2002 martial arts adventure film directed by Peter Pau, starring Michelle Yeoh (TOMORROW NEVER DIES, CROUCHING TIGER, HIDDEN DRAGON) along with Ben Chaplin (THE THIN RED LINE, STAGE BEAUTY, WORLD WITHOUT END) and Richard Roxburgh (MISSION: IMPOSSIBLE II, MOULIN ROUGE, SANCTUM).
BUYSOUNDTRAX Records presents THE TOUCH on compact disc again for its first release in the USA. The music has been remastered for much improved sound, along with bonus tracks not available on the previous CD releases. The booklet includes exclusive new liner notes by author Randall Larson, including new insights from Poledouris colleagues Tim Boyle and Eric Colvin, along with the film’s editor, Marshall Harvey on the creation of this unique score, one of the last scores in Basil Poledouris’ filmography.
