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Based on the 1977 novel by Richard Adams, THE PLAGUE DOGS is an animated drama released in 1982 and directed by Martin Rosen. It tells the story of two dogs who escape from a fictional research facility in Northwestern England and struggle against the rugged environment, local constabulary, and British military seeking to recapture them. Rosen’s first film had been an animated adaptation of Adams’ first novel, WATERSHIP DOWN (1978), which had been a huge international success and was the sixth most popular film of its year in England. It was therefore natural for Rosen then to make a film out of Adam’s subsequent novel involving animals.

Like WATERSHIP DOWN, the second film was animated and straightforward, unafraid to confront the reality of life in the wild, but THE PLAGUE DOGS treated its subject matter with an even more unflinching dramatic focus about the plight of the canine protagonists and the ethical realities of their predicament. The film’s bleakness and its lack of a cathartic resolution led to its failure at the box office; although in recent decades the film has been much better regarded and critical consensus now recognizes the film’s disconsolation as its greatest ingenuity.

Composer and electronic music pioneer Patrick Gleeson grew up in Seattle with initial musical hopes to become a jazz pianist until he became hooked on electronic music. Influenced by Wendy Carlos, Gleeson released several albums of electronic interpretations of classical and pop music, and then merged his interests in synthesizers music and jazz during his collaborative work with keyboardist and bandleader Herbie Hancock in the early ‘70s. This, and a bit of music for short films – including heading the synthesizer group responsible for orchestrating and performing the film electronic score for APOCALYPSE NOW – brought him to Martin Rosen’s attention and he gained his first feature film assignment scoring THE PLAGUE DOGS. Influenced by techniques of American minimalism as well the music of Polish composer Witold Lutosławski, Gleeson wrote a sophisticated score that suited the style of Rosen’s uncompromising filmmaking. The music is performed by members of The Kronos Quartet, augmented by Gleesen’s then-state-of-the-art electronic synthesizers. The score is not thematic-based, but rather allows each musical moment to unfold like a new chapter, giving each sequence a unique musical design of its own.

Dragon’s Domain Records is excited to bring THE PLAGUE DOGS to compact disc for the first time, mastered by James Nelson at Digital Outland with exclusive liner notes by author Randall D. Larson, with the participation of the composer.

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THE PLAGUE DOGS - Original Soundtrack Recording by Patrick Gleeson

Patrick Gleeson

$8.95

Tracklist


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1.

Time And Tide Alan Price 4:22

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2.

Freedom 2:30

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3.

Wondering 3:39

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4.

The Change (After Vivaldi) 2:02

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5.

In the Pens 1:48

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6.

Sheep Dogs 2:41

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7.

The Escape From The Incinerator 0:53

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8.

Frog Catching 1:24

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9.

Rowf's Kill 1:59

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10.

Lack Loud's Death 2:18

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11.

Inside The Laboratory 2:33

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12.

The Begining Of The End 3:28

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13.

Chase Music 3:05

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14.

Rowf And Snitter Run To The Sea 3:55

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15.

Time & Tide Alan Price 1:26

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Downloads include choice of MP3, WAV, or FLAC

DDRDG653

Based on the 1977 novel by Richard Adams, THE PLAGUE DOGS is an animated drama released in 1982 and directed by Martin Rosen. It tells the story of two dogs who escape from a fictional research facility in Northwestern England and struggle against the rugged environment, local constabulary, and British military seeking to recapture them. Rosen’s first film had been an animated adaptation of Adams’ first novel, WATERSHIP DOWN (1978), which had been a huge international success and was the sixth most popular film of its year in England. It was therefore natural for Rosen then to make a film out of Adam’s subsequent novel involving animals.

Like WATERSHIP DOWN, the second film was animated and straightforward, unafraid to confront the reality of life in the wild, but THE PLAGUE DOGS treated its subject matter with an even more unflinching dramatic focus about the plight of the canine protagonists and the ethical realities of their predicament. The film’s bleakness and its lack of a cathartic resolution led to its failure at the box office; although in recent decades the film has been much better regarded and critical consensus now recognizes the film’s disconsolation as its greatest ingenuity.

Composer and electronic music pioneer Patrick Gleeson grew up in Seattle with initial musical hopes to become a jazz pianist until he became hooked on electronic music. Influenced by Wendy Carlos, Gleeson released several albums of electronic interpretations of classical and pop music, and then merged his interests in synthesizers music and jazz during his collaborative work with keyboardist and bandleader Herbie Hancock in the early ‘70s. This, and a bit of music for short films – including heading the synthesizer group responsible for orchestrating and performing the film electronic score for APOCALYPSE NOW – brought him to Martin Rosen’s attention and he gained his first feature film assignment scoring THE PLAGUE DOGS. Influenced by techniques of American minimalism as well the music of Polish composer Witold Lutosławski, Gleeson wrote a sophisticated score that suited the style of Rosen’s uncompromising filmmaking. The music is performed by members of The Kronos Quartet, augmented by Gleesen’s then-state-of-the-art electronic synthesizers. The score is not thematic-based, but rather allows each musical moment to unfold like a new chapter, giving each sequence a unique musical design of its own.

Dragon’s Domain Records is excited to bring THE PLAGUE DOGS to compact disc for the first time, mastered by James Nelson at Digital Outland with exclusive liner notes by author Randall D. Larson, with the participation of the composer.

Share