{"title":"New Releases","description":"","products":[{"product_id":"the-arthur-b-rubinstein-collection-volume-1","title":"THE ARTHUR B. RUBINSTEIN COLLECTION: VOLUME 1","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\" alt=\"\" width=\"304\" height=\"39\"\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents THE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1, featuring music from two original scores from the composer’s extensive filmography, THE PRINCE OF CENTRAL PARK and RIVKIN: BOUNTY HUNTER.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAiring on television in 1977, THE PRINCE OF CENTRAL PARK was directed by Harvey Hart, written by Jeb Rosebrook, based on the novel by Evan Rhodes, starring T.J. Hargrave, Lisa Richards, Ruth Gordon, alongside a young Brooke Shields in a supporting role. At its heart, the story unfolds as a modern fairy tale that tells the poignant story of a teenage boy and his younger sister as they flee from an abusive foster mother. They find sanctuary within a tree house in Central Park. There they encounter a young hoodlum and form an unlikely friendship with a lonely elderly woman. The score for THE PRINCE OF CENTRAL PARK is a gentle and emotive composition written for a chamber ensemble, perfectly encapsulating the whimsical elements of the tale while mirroring the children's enchantment with tales of knights and chivalry.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAiring on television in 1981, RIVKIN: BOUNTY HUNTER was directed by Harry Harris, written by Peter Lefcourt, starring Ron Leibman, Harry Morgan, Harold Gary, Verna Bloom, George Dicenzo, John Getz and Glenn Scarpelli. An unsold pilot for a series, RIVKIN follows a modern bounty hunter (Leibman), making his living apprehending bail jumpers who finds himself in a high-stakes confrontation with a heavily armed drug dealer. The score for RIVKIN: BOUNTY HUNTER is composed for an ensemble of approximately 35 musicians, incorporating a variety of keyboards and a dynamic rhythm section to capture the essence of New York in 1981.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBoth scores are presented complete in film order, showcasing Arthur B. Rubinstein's incredible talent and revealing him as an underrated gem in the world of film composition.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eArthur B. Rubinstein was an American composer and conductor renowned for his scores in film, television and theater, as well as his leadership of the Symphony in the Glen Orchestra. Born in Brooklyn, New York,Rubinstein attended the High School of Music \u0026amp; Art and earned a Bachelor of Music degree from Yale University. After beginning his career as a pianist and arranger in New York, he relocated to Los Angeles, where he established himself as a prolific composer for over 200 film and television projects spanning more than 40 years.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eRubinstein's most notable film scores include collaborations with director John Badham on BLUE THUNDER, WARGAMES, SHORT CIRCUIT, STAKEOUT,THE HARD WAY, ANOTHER STAKEOUT and NICK OF TIME, as well as LOST IN AMERICA and WHOSE LIFE IS IT ANYWAY?. In television, he composed for series such as SCARECROW AND MRS. KING, THE TWILIGHT ZONE (1985), AMAZING STORIES, WISEGUY, THE LOVE BOAT, SLEDGE HAMMER! and THE SIMPSONS, along with the ABC documentary SHOOTING WAR, directed by Steven Spielberg and narrated by Tom Hanks.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents THE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1, featuring the music from the original scores to THE PRINCE OF CENTRAL PARK and RIVKIN: BOUNTY HUNTER, with liner notes written by G.B. Kemner and Scott Davis. The music has been mastered by James Nelson at Digital Outland.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTHE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1 is a limited edition release. THE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1 is expected to begin shipping the week of March 23rd, 2026.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTHE PRINCE OF CENTRAL PARK\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Arthur_B_Rubinstein_Volume_1\/01%20Opening%20Titles.mp3\"\u003e01. Opening Titles (2:23)\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003cbr\u003e\u003c\/span\u003e02. Central Park (2:51)\u003cbr\u003e03. Finding The Treehouse And Nightfall (2:37)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e04. Life In The Park (3:55)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Arthur_B_Rubinstein_Volume_1\/05%20Treehouse%20Montage%20And%20Knighted.mp3\"\u003e05. Treehouse Montage And Knighted (4:00)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e06. Mrs. Miller’s Messages (3:13)\u003cbr\u003e\u003c\/span\u003e07. Different Berries (1:18)\u003cbr\u003e08. Mrs. Miller And The Kids (4:12)\u003cbr\u003e09. Elmo Watches And Park Music (2:42)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Arthur_B_Rubinstein_Volume_1\/10%20Mrs.%20Miller%20And%20The%20Cops.mp3\"\u003e10. Mrs. Miller And The Cops (2:26)\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003cbr\u003e\u003c\/span\u003e11. The Carousel And Elmo Falls (4:19)\u003cbr\u003e12. We Can’t Stay Here Forever (2:32)\u003cbr\u003e13. Mrs. Miller’s Offer (2:20)\u003cbr\u003e14. A New Family (3:06)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRIVKIN: BOUNTY HUNTER\u003cbr\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Arthur_B_Rubinstein_Volume_1\/15%20Main%20Titles%20_%20First%20Bust.mp3\"\u003e15. Main Titles \/ First Bust (2:31)\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003cbr\u003e\u003c\/span\u003e16. Father’s Music (1:20)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Arthur_B_Rubinstein_Volume_1\/17%20Rivkin%20On%20Sleaze%20Street.mp3\"\u003e17. Rivkin On Sleaze Street (2:37)\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003cbr\u003e\u003c\/span\u003e18. Hospital Visitors (2:26)\u003cbr\u003e19. Blind Man’s Bluff (1:29)\u003cbr\u003e20. Vito’s Restaurant (2:34)\u003cbr\u003e21. Rivkin And His Girl (2:22)\u003cbr\u003e22. Rivkin Talks To Son (2:49)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e23. The Ceremony (2:02)\u003cbr\u003e\u003c\/span\u003e24. Slow Dancing (2:10)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Arthur_B_Rubinstein_Volume_1\/25%20Remembering%20His%20Wife.mp3\"\u003e25. Remembering His Wife (1:38)\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003cbr\u003e\u003c\/span\u003e26. Rivkin’s Anger (2:11)\u003cbr\u003e27. Rivkin Vows To Get St. Clair (2:57)\u003cbr\u003e28. Rivkin Catches St. Clair (3:43)\u003cbr\u003e29. Finale (1:25)\u003cbr\u003e30. Disco Dancing (0:27)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eTotal Time - 76:50\u003c\/p\u003e","brand":"Dragon's Domain Records","offers":[{"title":"Default Title","offer_id":40836869685283,"sku":"DDR851","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Arthur_B_Rubinstein_Collection_Vol1_CD_Digital_cover.jpg?v=1771860580"},{"product_id":"the-incredible-journey-of-doctor-meg-laurel-original-score-by-gerald-fried","title":"THE INCREDIBLE JOURNEY OF DOCTOR MEG LAUREL: Music From The Original Score","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_6773b870-abd3-4030-8e1a-bf6dc3f84e76.jpg?v=1776876917\" alt=\"\" width=\"335\" height=\"43\"\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents THE INCREDIBLE JOURNEY OF DOCTOR MEG LAUREL, featuring music composed by Gerald Fried (THE MAN FROM U.N.C.L.E., STAR TREK, ROOTS) for the 1979 adventure drama directed by Guy Green, written by Michael Berk, Joe Fineman and Douglas Schwartz, starring Lindsay Wagner, Jane Wyman, Andrew Duggan, Gary Lockwood, Brock Peters, John Reilly, Charles Tyner, Dorothy McGuire, Woodrow Parfrey, Peggy Walton-Walker, Kath Soucie, Tracey Gold and James Woods as Sin Eater.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAiring on television in 1979, THE INCREDIBLE JOURNEY OF DOCTOR MEG LAUREL follows Meg Laurel (Wagner), a recent graduate of Harvard Medical School in 1932 who runs afoul of a corrupt and powerful local judge. Worried about the damage the judge might cause to both of their careers prompts Meg to make the decision to leave her husband in Boston and return to the orphanage where she was raised to visit her friend, Effie (McGuire). Meg learns that the orphanage has been closed and Effie has returned to her hometown of Eagle’s Nest high in the Blue Ridge Mountains. When she arrives at Effie’s home, she finds her friend on her deathbed under of the care of the local healer, Granny Arrowroot (Wyman). Meg’s arrival is immediately met with suspicion and hostility. Meg is unable to save Effie using her modern medical knowledge but Effie asks her to stay in Eagle’s Nest to help her people. Meg immediately clashes with Granny because of their different approaches to healing but overtime they are able to compromise and learn from each other.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eFor THE INCREDIBLE JOURNEY OF DOCTOR MEG LAUREL, Gerald Fried provides music that underscores both the drama faced by Meg and her humanity. His score avoids melodrama instead emphasizing warmth, lyricism and quiet determination. Gentle string themes accompany Meg’s moments of compassion and resolve while darker harmonies highlight the suspicion and tension within the town.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBorn February 1928 in the Bronx, Gerald Fried’s interest in music found its first fruition at the High School of Music \u0026amp; Art in New York City. He attended The Juilliard School of Music as an oboe major, graduating in 1945. Among his earliest friends was a bright kid named Stanley Kubrick. The two of them used to hang around Greenwich Village and talk about their budding interests, Fried’s in classical music and Kubrick’s in filmmaking. Their interests merged when Kubrick began filming DAY OF THE FIGHT, an 18-minute short about boxing. Knowing Fried was a music major, Kubrick asked him if he could write the score for his boxing picture. Fried agreed, then spent months going to the movies to learn how film scores worked, there being no schools or courses on film music in those days. Fried wrote an effective score, and Kubrick sold the film to RKO Pathé. Fried rejoined Kubrick to score four more of his films, including THE KILLING and PATHS TO GLORY, where the young filmmaker first gained his reputation.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAfter the success of THE KILLING in 1956, Kubrick moved to Los Angeles, shortly followed by Fried, who was immediately hired to compose and arrange music for several films, including THE VAMPIRE, THE RETURN OF DRACULA, MACHINE GUN KELLY and I, MOBSTER, I BURY THE LIVING, and TIMBUKTU(1959). By the 1960s, Fried moved into television, scoring episodes of such seminal shows of the decade as GILLIGAN’S ISLAND, THE MAN FROM U.N.C.L.E., MISSION: IMPOSSIBLE and STAR TREK. By the 1970s Fried was composing music for numerous made-for-TV movies. His best-known score of the decade was for the 1977 miniseries ROOTS, which he took over scoring when Quincy Jones fell behind and was unable to meet the broadcast deadline for the eight-hour miniseries. Both Jones and Fried won Emmy Awards for their musical efforts on the series. During the ‘80s, Fried continued to compose music for television series, movies, and documentaries, and an occasional feature film. These are just two of the many magnificent scores Fried wrote throughout his career. The composer passed away on February 17, 2023 at the age of 95. His work remains a testament to his talent and dedication to the art of composition and he is remembered as a key figure in the evolution of music for film and television.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents the world premiere release of THE INCREDIBLE JOURNEY OF DOCTOR MEG LAUREL, featuring music composed by Gerald Fried. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by Scott Davis.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTHE INCREDIBLE JOURNEY OF DOCTOR MEG LAUREL is a limited edition release. THE INCREDIBLE JOURNEY OF DOCTOR MEG LAUREL is expected to begin shipping the week of June 29th, 2026\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Doctor_Meg_Laurel\/01%20Main%20Title.mp3\"\u003e01. Main Title (2:12)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e02. Bad Dream (1:20)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e03. Journey To Eagle’s Nest (4:29)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Doctor_Meg_Laurel\/04%20Hungry%20Guest.mp3\"\u003e04. Hungry Guest (2:47)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e05. Stalking Mountain Lion \/ Cliffhanger (3:52)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e06. Mean Harley Moon \/ Effie Webb’s Bedside (3:29)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e07. Effie’s Funeral (2:42)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e08. Sin Eater (2:31)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e09. A New Home \/ Granny Arrowroot (3:25)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e10. The Kite \/ Bee Attack (2:50)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e11. Curing Laurie (6:04)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e12. Harley’s Rampage \/ Sin Eater’s Lair (5:17)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Doctor_Meg_Laurel\/13%20Letter%20To%20John%20_%20Dressing%20For%20Wedding.mp3\"\u003e13. Letter To John \/ Dressing For Wedding \/ Granny Makes House Calls (4:39)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e14. Caesarean (5:50)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e15. Meg Sick \/ Delirium (3:39)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e16. Watching Over Meg \/ Harley Finds The Medicine (3:30)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e17. Meg At Death’s Door (3:20)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Doctor_Meg_Laurel\/18%20Folks%20Rally%20Around%20Meg%20_%20Lonely%20Sin%20Eater.mp3\"\u003e18. Folks Rally Around Meg \/ Lonely Sin Eater (4:03)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e19. Thom’s Surprise Visit \/ Sin Eater’s Confession \/ Clinic Dedication (5:13)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e20. End Title (1:05)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eTotal Time: 72:58\u003c\/span\u003e\u003c\/p\u003e","brand":"Dragon's Domain Records","offers":[{"title":"Default Title","offer_id":40836870209571,"sku":"DDR862","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Doctor_Meg_Laurel_CD-Digital_cover.jpg?v=1777931859"},{"product_id":"the-morton-stevens-collection-volume-4","title":"THE MORTON STEVENS COLLECTION: VOLUME 3","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\" alt=\"\" width=\"296\" height=\"38\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents THE MORTON STEVENS COLLECTION: Volume 3 featuring the premiere release of music from the original scores for two films from the composer’s extensive filmography, M STATION: HAWAII and MEMORIES NEVER DIE.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAiring on television in 1980, M STATION: HAWAII blended espionage, tropical adventure, and Cold War intrigue into a compact action thriller. Directed by Jack Lord, it was filmed in 1979 just prior to the start of filming the twelfth and final season of the original HAWAII FIVE-O. M STATION: HAWAII introduces a covert intelligence unit operating out of the Hawaiian Islands and the cast included Jared Martin, JoAnn Harris, Andrew Duggan, Dana Wynter, Andrew Prine and Lord as Admiral Henderson. Intended as a pilot for an ongoing series, M STATION: HAWAII was not picked up and eventually was broadcast over a year later. The film would also be Jack Lord’s final performance. As the director, Lord utilized much of the crew he had been working with for over a decade on HAWAII FIVE-O, which included composer Morton Stevens. For M STATION: HAWAII, the composer brings a strong sense of rhythmic energy and dramatic color to the score, blending driving orchestral action cues with subtle touches suggesting the Pacific setting.The result is a soundscape that supports both suspenseful espionage scenes and the film’s scenic Hawaiian backdrop.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAiring on television in 1982, MEMORIES NEVER DIE was directed by Sandor Stern, written by Zoa Sherburne, Ken Trevey and Stern, starring Lindsay Wagner, Gerald McRaney, Melissa Michaelsen, Peter Billingsley, Barbara Cason, Richard McKenzie, Richard Yniguez, Jay Robinson and Barbara Babcock. MEMORIES NEVER DIE is a gripping melodramatic thriller that explores the trauma of a family that must contend with the return of its matriarch, Joanne Tilford (Wagner) who has spent the last six years in a psychiatric hospital. Her husband, Howdy (McRaney) is suffering from his own health issues and is desperate to reintegrate Joanne back into the family.Their children however are unwilling to accept her, as well as practically everyone else they know because of a terrible tragedy at the heart of the family drama. For MEMORIES NEVER DIE, the composer provides an appropriately dramatic orchestral score to play on these emotional conflicts.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBorn In Newark, New Jersey in 1929,Morton Stevens studied composition at the Juilliard School and became the arranger and later, the musical director, for Sammy Davis, Jr., Frank Sinatra, Dean Martin and Liza Minnelli. He also served as music director for CBS and was a prolific composer and arranger for television for over 30 years. Best known for the famous theme music for HAWAII FIVE-0, for which he won two Emmys, Stevens contributed music to many television shows, including GUNSMOKE, POLICEWOMAN, THRILLER, WAGON TRAIN, THE MAN FROM U.N.C.L.E., CIMARRON STRIP, THE WILD WILD WEST and TINY TOON ADVENTURES. Stevens also served on the board of directors for the Academy Of Television Arts And Sciences. Surprisingly, he only scored a few feature films including ACT OF PIRACY, THEY STILL CALL ME BRUCE, CRACKING UP and THE RAIDERS. Stevens scored 101 TV movies and nine motion pictures in a three-decade career that began in the early 1960s and ran until 1990. A former student of Jerry Goldsmith, he co-scored the 1981miniseries MASADA and Arthur Hayley’s WHEELS in 1978, for which he bothreceived Emmy nominations.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents the premiere soundtrack release of THE MORTON STEVENS COLLECTION: Volume 3,featuring music composed by Morton Stevens for M STATION: HAWAII and MEMORIES NEVER DIE. The liner notes are written by Scott Davis. The music has been mastered by James Nelson at Digital Outland.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTHE MORTON STEVENS COLLECTION: Volume 3 is a limited edition release and is expected to begin shipping the week of June 29th, 2026.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eM STATION: HAWAII\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e01. Titles (0:50)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e02. Recovering The Bodies (3:40)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Morton_Stevens_Collection_Vol3\/03%20Welcome%20To%20M%20Station.mp3\"\u003e03. Welcome To M Station (2:29)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e04. Russian Frogmen (3:09)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Morton_Stevens_Collection_Vol3\/05%20Welcome%20Aboard%20_%20Out%20To%20Sea.mp3\"\u003e05. Welcome Aboard \/ Out To Sea (2:09)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e06. Maggie Arrives \/ Back To The Surface (2:05)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e07. Russian Meeting \/ Thank-You Comrade (1:46)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e08. Undersea Search (1:34)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e09. There It Is! (2:19)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Morton_Stevens_Collection_Vol3\/10%20Dangerous%20Dive.mp3\"\u003e10. Dangerous Dive (3:18)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e11. Your Husband \/ Kidnapping And Firey Explosion (3:57)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e12. The Morgue (4:19)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Incoming Sub \/ \u003c\/span\u003e\u003cspan class=\"s1\"\u003eTo The Rescue (2:48)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Morton_Stevens_Collection_Vol3\/14%20Race%20To%20The%20Sub.mp3\"\u003e14. Race To The Sub (5:11)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e15. Escape From The Sub And Finale (4:21)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e16. Closing Credits (1:01)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e17. Bumpers (0:18)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eMEMORIES NEVER DIE\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Morton_Stevens_Collection_Vol3\/18%20Joanne's%20Journey%20(Main%20Titles).mp3\"\u003e18. Joanne's Journey (Main Titles) (2:18)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e19. Arriving At The House \/ Enter Louise (2:03)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e20. Kathy’s Insincere Apology \/ Please Don't Interfere \/ Horses (1:34)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Morton_Stevens_Collection_Vol3\/21%20Joanne's%20First%20Flashback%20_%20Howard%20and%20Joanne%20_%20I%20Am%20Glad%20You%20Are%20Here.mp3\"\u003e21. Joanne’s First Flashback \/ Howard and Joanne \/ I Am Glad You Are Here (3:18)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e22. Joanne’s Second Flashback \/ Louise Eavesdrops \/ Exchanging Pleasantries (3:01)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e23. The Art Studio \/ Goodnight Mom (2:30)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e24. Pre-Surgery Kiss \/ Telling Kathy The Story (2:13)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Morton_Stevens_Collection_Vol3\/25%20Joanne%20Packs%20Her%20Bags%20_%20Daddy-Daughter%20Talk.mp3\"\u003e25. Joanne Packs Her Bags \/ Daddy-Daughter Talk (1:18)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e26. Joanne Remembers Everything (2:45)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e27. Howard’s Heart Attack (3:08)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e28. Kathy Apologizes \/ Hospital Finale (3:38)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e29. End Credits (0:43)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eTotal Time: - 75:06\u003c\/span\u003e\u003c\/p\u003e","brand":"Dragon's Domain Records","offers":[{"title":"Default Title","offer_id":40836882038819,"sku":"DDR806","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Morton_Stevens_Vol3_CD-Digital_cover.jpg?v=1778082960"},{"product_id":"the-golden-age-of-crime-dramas-vol-1","title":"THE GOLDEN AGE OF CRIME DRAMAS VOL. 1","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\" alt=\"\" width=\"304\" height=\"39\"\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records proudly presents the first volume in a new ongoing series of music from classic crime dramas from the Golden Age,featuring two world premiere releases of music from UNDERWORLD, U.S.A. and CROSSROADS TO CRIME.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eReleased in 1961, UNDERWORLD, U.S.A. was written and directed by the legendary Samuel Fuller (THE BIG RED ONE), starring Cliff Robertson, Dolores Dorn, Beatrice Kay, Paul Dubov, Robert Emhardt, Larry Gates,Richard Rust and Gerald Milton. Inspiration for UNDERWORLD U.S.A. came from a series of articles by Joseph F. Dinneen for The Saturday Evening Post, as well as Riley Cooper’s book HERE IS TO CRIME. Fuller chose to frame his exploration of organized crime around a tale of vengeance as Tolly Devlin (Robertson) vows to find the men who beat his father to death when he was a child. Devlin succeeds in working his way into the organization where the killers have now become powerful lieutenants and manages to sow distrust within their ranks.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eThe score for UNDERWORLD, U.S.A. was composed by Harry Sukman, an American composer, conductor and pianist. Among his many credits include GOG, SCREAMING EAGLES, FORTY GUNS, THE HANGMAN, FANNY, THE SINGING NUN and SALEM’S LOT, and dozens of episodes from various television series including LARAMIE, DR. KILDARE, PEYTON PLACE, THE HIGH CHAPARRAL and BONANZA.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eReleased in 1960, CROSSROADS TO CRIME was directed by Gerry Anderson (THUNDERBIRDS, SPACE: 1999), written by Alun Falconer, based on a story by Edgar Wallace, starring Miriam Karlin, George Murcell, David Graham and Victor Maddern. CROSSROADS TO CRIME was the first live-action feature from the fledgling AP Films prior to achieving international success with SUPERCAR (1961-62). While patrolling his beat, Police Constable Don Ross (Oliver) suspects a criminal gang is operating out of an English truck stop. Defying the orders of his commanding officer, he is determined to stop the local crime boss (Ferdy Mayne) and his two thugs (SUPERCAR voice artists George Murcell and David Graham) from hijacking a load of nickel ingots.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eThe score for CROSSROADS TO CRIME was composed by Barry Gray, who had just finished working with Gerry Anderson on a puppet series they co-created, FOUR FEATHER FALLS. Gray would continue to be an invaluable member of the AP Films team (later Century 21), creating the musical identity for such Gerry and Sylvia Anderson TV series as THUNDERBIRDS, UFO and SPACE: 1999.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eThis first volume in Dragon’s Domain Records series of classic crime dramas has been mastered by James Nelson at Digital Outland, featuring exclusive liner notes by Starlog Magazine’s David Hirsch on the music featured on the album.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTHE GOLDEN AGE OF CRIME DRAMAS, VOLUME 1 is a limited edition release and is expected to begin shipping the week of March 23rd, 2026.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eSPECIAL NOTE: These recordings were originally taken from analog masters and music \u0026amp; effects tracks and therefore certain limitations from the source tapes may be evident. We have tried to preserve as closely as possible, the quality of the original recordings\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eUNDERWORLD, U.S.A.\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e(1961 - Harry Sukman)\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Golden_Age_Of_Crime_Dramas_Vol1\/01%20Underworld%20U.S.A.%20Main%20Title%20_%20Alley%20Fight%20_%20Tolly%20Witnesses%20Alley%20Murder.mp3\"\u003e01. Underworld U.S.A. Main Title \/ Alley Fight \/ Tolly Witnesses \/ Alley Murder (2:30)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e02. Tolly's Father Is Dead (Interpolates Auld Lang Syne) \/ Arrested \/ \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e       Flashback \/ \u003c\/span\u003e\u003cspan class=\"s1\"\u003eArrested Again (2:45)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e03. Prison Hospital Job \/ Wait For Farrar \/ Alone With Farrar \/ \u003cbr\u003e       Hunt For Gela Begins \/ \u003c\/span\u003e\u003cspan class=\"s1\"\u003eBreak-In (4:06)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e04. Meet Cuddles \/ Tolly Rescues Cuddles \/ Escape \/ To The Bait Shop \/ \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e       Tolly Takes The Drugs (3:53)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Golden_Age_Of_Crime_Dramas_Vol1\/05%20Tolly%20and%20Gus%20Meet%20In%20Alley%20_%20Sandy%20Tells%20Cuddles%20The%20Truth%20_%20Police%20Station%20Transition%20A.mp3\"\u003e05. Tolly and Gus Meet In Alley \/ Sandy Tells Cuddles The Truth \/ \u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Golden_Age_Of_Crime_Dramas_Vol1\/05%20Tolly%20and%20Gus%20Meet%20In%20Alley%20_%20Sandy%20Tells%20Cuddles%20The%20Truth%20_%20Police%20Station%20Transition%20A.mp3\"\u003e       Police Station Transition A (1:37)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e06. Fowler's Suicide \/ Gus Kills Mankin's Daughter (2:08)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e07. Tolly and Cuddles Make Love (1:47)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e08. Smith Arrested \/ Headline Montage \/ Police Station Transition B \/\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e      Gunther Arrives \/ Double Cross \/ Gus Kills Gunther (2:20)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Golden_Age_Of_Crime_Dramas_Vol1\/09%20Cuddles%20Proposes%20Marriage%20To%20Tolly%20_%20Thinking%20of%20Cuddles.mp3\"\u003e09. Cuddles Proposes Marriage To Tolly \/ Thinking of Cuddles (3:10)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e10. Tailing Gela Parts A \u0026amp; B \/ Seeing Gela With Driscoll \/ Gus Calls Tolly (1:33)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e11. Tolly Beats Gela \/ Gela's Death (1:58)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Marriage Proposal Reconsidered \/ Tolly Confronts Connors (1:49)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e13. Tolly Is Shot \/ Dying In Cuddles Arms \/ Finale (3:03)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e14. Underworld U.S.A. (1961) Theatrical Trailer (2:26)\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eCROSSROADS TO CRIME\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e(1960 - Barry Gray)\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Golden_Age_Of_Crime_Dramas_Vol1\/15%20Crossroads%20to%20Crime%20Main%20Title.mp3\"\u003e15. Crossroads to Crime Main Title (1:43)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e16. Presumed Kidnapping \/ Copper Hurt (1:01)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e17. Lying to the Constable at Home (2:33)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e18. Mr. Miles Warns Mrs. Williams and Mr. Diamond (1:24)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Golden_Age_Of_Crime_Dramas_Vol1\/19%20The%20Job%20at%20the%20Cafe%20_%20Sargeant%20Discovers%20Bribe.mp3\"\u003e19. The Job at the Cafe \/ Sargeant Discovers Bribe (3:46)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e20. Lorry Taken \/ Ross Plots with Mrs. Williams \/ Final Job (2:53)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e21. We Need the Copper \/ The Heist (4:44)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Golden_Age_Of_Crime_Dramas_Vol1\/22%20Shootout%20With%20Diamond%20_%20End%20Titles.mp3\"\u003e22. Shootout With Diamond \/ End Titles (2:49)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e23. Crossroads to Crime (1960) Theatrical Trailer (2:04)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eTotal Time 58:13\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4j0ydQCooonBIRIMMLjF9V?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Dragon's Domain Records","offers":[{"title":"Default Title","offer_id":41848307449891,"sku":"DDR700","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Golden_Age_Crime_Dramas_Volume1_CD_Digital_cover.jpg?v=1771860648"},{"product_id":"the-lalo-schifrin-collection-volume-2","title":"THE LALO SCHIFRIN COLLECTION: VOLUME 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents THE LALO SCHIFRIN COLLECTION: VOLUME 2, featuring music composed by the legendary Lalo Schifrin (MISSION: IMPOSSIBLE, BULLITT, DIRTY HARRY, ENTER THE DRAGON) for two films from his extensive filmography.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eReleased in 1979, ESCAPE TO ATHENA is a World War II adventure film directed by George P. Cosmatos (THE CASSANDRA CROSSING, RAMBO II, TOMBSTONE), written by Edward Anhalt and Richard S. Lochte, starring Roger Moore, Telly Savalas, David Niven, Claudia Cardinale, Elliott Gould, Stephanie Powers, Sonny Bono, and Richard Roundtree. Beautifully photographed on the large Greek island of Rhodes, ESCAPE FROM ATHENA takes place during the later years of World War II, when the island was occupied by the German army.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eA group of Allied prisoners of war are forced to labor on archaeological excavations off the Aegean Sea that the occupying forces plan to transport ancient treasures back to Germany. The prisoners discover that the nearby monastery on top of Mount Athena may contain even greater treasures allegedly hidden by the monks. At the same time, Greek resistance fighters on the island are preparing their own operation to strike at the German garrison.As the prisoners’ treasure plot intersects with the resistance’s sabotage mission, the narrative builds toward a chaotic but entertaining climax involving deception, massive explosions, and a dramatic battle by the sea.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eA notable aspect of ESCAPE TO ATHENA is its musical score, which blends bold orchestration and Mediterranean color. For ESCAPE TO ATHENA, Schifrin created music that balances suspense and playfulness, reflecting the film’s mixture of wartime danger and comic adventure. The score incorporates lively percussion, brass flourishes, and melodic passages that evoke the Greek island setting.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eReleased in 1984, TANK was directed by Marvin J. Chomsky, written by Dan Gordon, starring James Garner, Shirley Jones, C. Thomas Howell, Mark Herrier, Sandy Ward, Jenilee Harrison, James Cromwell, Dorian Harewood, John Hancock, Guy Boyd and G.D. Spradlin. TANK follows U.S. Army Sergeant Major Zack Carey (Garner), a career soldier transferred to a military base nearby a small town in Georgia. Carey is a disciplined and respected non-commissioned officer who takes pride in both his service and his family life, though he has promised his long-suffering wife (Shirley Jones) that this will be the last tour before he retires and buys a boat. Carey’s troubles begin when he goes to the town bar and stands up for a prostitute being beaten by a Deputy Sheriff. Unbeknownst to him, both the bar and girl are under the control of the town’s corrupt sheriff who runs the town like a personal kingdom.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eCarey attempts to resolve the matter through official channels but he quickly discovers that the sheriff’s influence extends throughout the local justice system. In retaliation, the sheriff frames Zack’s son Billy (Howell) on false charges and has him imprisoned under the harsh conditions of his brutal work camp. Carey decides to take matters into his own hands. Using his personal restored World War II Sherman tank, he launches a daring rescue mission. Carey drives the tank across rural Georgia, as he evades military police and local law enforcement to rescue Billy and flee out of the sheriff’s jurisdiction, creating a dramatic chase that mixes suspense with moments of dark humor.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eFor TANK, Lalo Schifrin created music that underscores both the tension of the chase and the emotional stakes of a father fighting for his son. The score features bold orchestral writing combined with rhythmic motifs that mirror the relentless movement of the armored vehicle at the center of the story.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAs a young man in his native Argentina, Lalo Schifrin received classical training in music and also studied law. He came from a musical family, and his father, Luis Schifrin, was the concertmaster of the Philharmonic Orchestra of Buenos Aires at the Teatro Colon. Schifrin continued his formal music education at the Paris Conservatory during the early 1950’s, studying with numerous teachers including famed composer Olivier Messiaen. Simultaneously, he became a professional jazz pianist, composer and arranger, playing and recording in Europe. When Schifrin returned to Buenos Aires in the mid 1950s, he formed his own big concert band. It was during a performance of this band that Dizzy Gillespie heard Schifrin play and asked him to become his pianist and arranger. In 1958, Schifrin moved to the United States and thus began a remarkable career.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eLalo Schifrin has written more than 100 scores for films and television. Among the classic scores are MISSION: IMPOSSIBLE, MANNIX, THE FOX, COOL HAND LUKE, BULLITT, DIRTY HARRY, THE CINCINNATI KID, THE AMITYVILLE HORROR. Recent scores include TANGO, BRINGING DOWN THE HOUSE, THE BRIDGE OF SAN LUIS REY, AFTER THE SUNSET, the RUSH HOUR films and ABOMINABLE.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTANK makes its premiere soundtrack release on THE LALO SCHIFRIN COLLECTION: VOLUME 2 and ESCAPE TO ATHENA makes its debut on compact disc. The music has been mastered by James Nelson at Digital Outland and include liner notes written by Scott Davis and David Hirsch.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: .AppleSystemUIFont;\"\u003e\u003cspan\u003e\u003cbr\u003eTHE LALO SCHIFRIN COLLECTION: VOLUME 2 is a limited edition release and is expected to begin shipping the week of May 26, 2026.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eESCAPE TO ATHENA\u003c\/span\u003e\u003c\/strong\u003e\u003cb\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Lalo_Schifrin_Volume2\/01%20Main%20Titles.mp3\"\u003e01. Main Titles (2:22)\u003c\/a\u003e\u003cbr\u003e02. Water, Fire And Mines (4:24)\u003cbr\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Lalo_Schifrin_Volume2\/03%20The%20Saints%20Go%20Greek.mp3\"\u003e03. The Saints Go Greek (1:54)\u003c\/a\u003e\u003cbr\u003e04. Rat-Tat-Tat (3:10)\u003cbr\u003e05. Thrends (2:06)\u003cbr\u003e06. The Kite Over The Tower (2:24)\u003cbr\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Lalo_Schifrin_Volume2\/07%20The%20Descent.mp3\"\u003e07. The Descent (2:31)\u003c\/a\u003e\u003cbr\u003e08. Battle Hymn Of Athena (1:35)\u003cbr\u003e09. Rocket Gates (2:19)\u003cbr\u003e10. The Monastery (3:01)\u003cbr\u003e11. Dance Of Athena (3:37)\u003cbr\u003e12. Treasure Chamber (5:17)\u003cbr\u003e13. Keep Tomorrow For Me (2:56)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eTANK\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003cbr\u003e14. Main Title \/ “Last Post, Tough It Out” (2:44)\u003cbr\u003e15. Saturday Girl [In-Town Bar Source] (3:08)\u003cbr\u003e\u003cem\u003e(Vocal: Gene Morford)\u003c\/em\u003e\u003cbr\u003e16. Retirement (2:05)\u003cbr\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Lalo_Schifrin_Volume2\/17%20You%20And%20Your%20Whore%20_%20Introspection.mp3\"\u003e17. “You And Your Whore” \/ Introspection (1:56)\u003c\/a\u003e\u003cbr\u003e18. Go Get The Tank (2:39)\u003cbr\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Lalo_Schifrin_Volume2\/19%20Tank%20Joyride.mp3\"\u003e19. Tank Joyride (1:51)\u003c\/a\u003e\u003cbr\u003e20. “Can I Go With You?” \/ “Jump On” \/ Jail Break \/ “Coming To Get You” (2:01)\u003cbr\u003e21. \"You Assholes Better Move\" (1:14)\u003cbr\u003e22. Premature Okay - Crushed \/ “I Love You Dad, I Love You Son” (1:38)\u003cbr\u003e23. “Let’s See That Cracker Try To Stop A Tank” \/ “Folk Heroes” (1:38)\u003cbr\u003e24. “I Will Blow Him Away” [unused] \/ Festive Road Block (1:16)\u003cbr\u003e25. Going Around \/ “Keep Going Son” \/ In Tank \/ “Enjoy The Afternoon Sun” (1:18)\u003cbr\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Lalo_Schifrin_Volume2\/26%20Give%20Up%20Now%20_%20Biker%20Rescue%20Plan.mp3\"\u003e26. Give Up Now \/ Biker Rescue Plan (2:51)\u003c\/a\u003e\u003cbr\u003e27. Mudbath \/ Finale (3:08)\u003cbr\u003e28. End Credit (2:34)\u003cbr\u003e29. Destroying The Police Station [Bonus M\u0026amp;E] (2:02)\u003cbr\u003e30. Everybody Pull [Bonus M\u0026amp;E] (1:11)\u003cbr\u003e31. NCO Disco [source] (2:59)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eTotal Time: 77:15\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":41854542315555,"sku":"DDR896","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Lalo_SchifrinCollection_Vol2_CD_Digital_cover.jpg?v=1778695078"},{"product_id":"the-filmation-music-of-ray-ellis-original-television-soundtracks","title":"THE FILMATION MUSIC OF RAY ELLIS: Original Television Soundtracks","description":"\u003cblockquote type=\"cite\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cp class=\"MsoNormal\"\u003eRetrograde Records returns with a special CD as part of Film Score Monthly’s 35\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eanniversary celebration:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Filmation Music of\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eRay\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eEllis\u003c\/span\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"il\"\u003eRay\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eEllis\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(1923–2008) was a heralded record producer, arranger, composer and conductor who created some of the most vivid and dramatic scoring for animation—specifically, for the Filmation studio from the late 1960s to early ’80s (albeit under pseudonyms).\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis album features some of his highest profile projects:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStar Trek: The Animated Series\u003c\/i\u003e, Filmation’s ambitious 1979\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFlash Gordon\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eadaptation, live-action shows like\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eShazam\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIsis\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJason of Star Command\u003c\/i\u003e, and the 1982\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGilligan’s Planet\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eUnlike a lot of “cartoon music,”\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eEllis\u003c\/span\u003e’ scores were bold and dramatic, incorporating avant-garde techniques and cinematic orchestrations. His scores for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStar Trek\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFlash Gordon\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eare feature-film caliber, and their repetition as library cues burned them into the imaginations of wide-eyed fans.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003eStar Trek: The Animated Series\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the same program included by La-La Land Records on the 50\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eanniversary\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStar Trek\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecollection, while the other scores debut in monaural sound from master tapes courtesy\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eEllis\u003c\/span\u003e’ son (and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFlash Gordon\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eco-composer), Marc\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eEllis\u003c\/span\u003e. New liner notes (incorporating interview material with Marc\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eEllis\u003c\/span\u003e) are by Jeff Bond, with colorful, Filmation-inspired art direction by Joe Sikoryak.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eSTAR TREK: The Animated Series\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/01%20Star%20Trek_%20The%20Animated%20Series_%20Title%20Theme.mp3\"\u003e01. Title Theme 1:00\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e02. Captain’s Log 1:19\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e03. Something Ahead 0:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e04. Evasive Maneuvers 1:05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e05. Sensor Data 1:06\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e06. Intercept Course 0:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e07. Fire Phasers 0:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/08%20Enterprise%20Attacked.mp3\"\u003e08. Enterprise Attacked 1:32\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e09. Illogical 0:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e10. Briefing 0:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e11. On the Viewscreen 1:01\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e12. New Heading 0:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e13. Scanning 0:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e14. Deflector Shields 0:17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e15. Red Alert 0:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e16. Battle Stations 0:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e17. Surprise 0:06\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e18. Supplemental Log 0:47\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e19. Kirk’s Command 1:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e20. Sickbay 0:28\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e21. Library Computer 0:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e22. Full Power 0:27\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e23. Approaching Coordinates 0:08\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e24. The Bigger Meaning 1:15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e25. Trouble in Engineering 0:27\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e26. Spock’s Analysis 0:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e27. Enterprise Wins the Space Race 0:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e28. McCoy’s Summary 0:15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e29. Just Another Stardate 0:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e30. Ongoing Mission 0:17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e31. Title Theme (alt. mix) 1:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e32. Sensor Data (alt. mix) 1:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e33. Enterprise Attacked (alt. opening) 1:41\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e34. Scanning (alt. mix) 0:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e35. Turbolift Music 0:28\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e36. Mr. Arex Lends an Extra Hand 0:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e37. Fascinating 0:17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e38. Don’t Mess With M’Ress 0:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e39. Oh My 0:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e40. Spock’s Quick Analysis 0:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e41. Yellow Alert 0:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e42. Off Duty 0:14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e43. Suite: Stingers and Act-Out Music 2:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTotal Time: 31:26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eFLASH GORDON\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/44%20Main%20Theme.mp3\"\u003e44. Main Theme* 0:51\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e45. Stukas Bomb Dr. Zarkov 1:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e46. Mongo Mysterioso 0:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e47. Flash 1:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/48%20Flash%20Chase.mp3\"\u003e48. Flash Chase 0:48\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e49. Aura* 1:01\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e50. Mystery Strings, Part 1 0:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e51. Flash Chase, Strings 0:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e52. The Depths of Mongo* 1:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e53. The Mines of Mongo 1:46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e54. Mystery Strings, Part 2 0:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/55%20Harem.mp3\"\u003e55. Harem 1:14\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e56. Harem, Part 2 0:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e57. Strange Lurk 0:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e58. Mystery Strings, Part 3 0:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e59. Robots Attack 1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e60. Mongo Passes the Earth* 1:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e61. Imperial City Fanfare 0:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e62. Mystery Strings, Tremolo 0:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e63. Prisoner of Ming* 0:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e64. Strange Lurk, Fast 0:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e65. Evil Tension 0:43\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e66. The Screen* 0:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e67. Planet Turmoil 1:19\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e68. Flash Fanfare 0:12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTotal Time: 23:11\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eJASON OF STAR COMMAND\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/69%20Jason%20of%20Star%20Command_%20Main%20Title.mp3\"\u003e69. Main Title 0:43\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e70. Jason Rubato 1:14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e71. Jason Tension Build 0:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e72. Bridges (Bad Guy, Bad Guy Long, Jason, Good Guys) 0:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTotal Time: 3:07\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eSHAZAM \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/73%20Shazam_%20Finders%20Keepers,%20Part%201.mp3\"\u003e73. Finders Keepers, Part 1 2:27\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e74. Finders Keepers, Part 2 1:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e75. Finders Keepers, Part 3 3:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e76. Finders Keepers, Part 4 0:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTotal Time: 8:43\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTHE SECRETS OF ISIS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e77. Year of the Dragon 1:20\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eGILLIGAN’S PLANET\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ray_Ellis_Animation\/78%20Gilligan_s%20Planet_%20Main%20Title.mp3\"\u003e78. Main Title 0:56\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e79. Wizzard the Robot 1:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e80. Feeding Wizzard 1:17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e81. Howell World 0:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e82. Stealing Howell’s Money 1:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e83. Howell Desperate 1:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e84. Sea Serpent 0:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e85. Space Storm 0:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e86. Star 0:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e87. End Credits 1:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTotal Time: 10:29\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTHE NEW ADVENTURES OF MIGHTY MOUSE AND HECKLE \u0026amp; JECKLE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e88. Main Title 0:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003eTotal Disc Time: 79:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1.15pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; mso-font-kerning: 0pt;\"\u003e*Composed by Marc Ellis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Retrograde Records","offers":[{"title":"Default Title","offer_id":41897380053027,"sku":"FSM 80131-2","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Ray_Ellis_Animation_Scores.jpg?v=1770668105"},{"product_id":"the-western-film-world-of-dimitri-tiomkin","title":"THE WESTERN FILM WORLD OF DIMITRI TIOMKIN","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\" alt=\"\" width=\"304\" height=\"39\"\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eCitadel Records, a division of BSX Records, presents THE WESTERN FILM WORLD OF DIMITRI TIOMKIN, which includes music from several Western themed movies from the legendary composer’s rich filmography, including GIANT, RED RIVER, DUEL IN THE SUN, HIGH NOON, NIGHT PASSAGE and RIO BRAVO.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTHE WESTERN FILM WORLD WORLD OF DIMITRI TIOMKIN was produced by composer Laurie Johnson and Christopher Palmer and included music selected by and original scores adapted by Palmer, performed by the London Studio Symphony Orchestra, including the John McCarthy Singers with baritone Bob Saker. The music was recorded utilizing a Calrec Soundfield Microphone into a Sony 1600 Digital Recorder in London in March 1980.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eA bonus track is included, the composer’s own suite entitled ‘A President’s Country’, performed by the Royal College Of Music Orchestra,conducted by Sir David Willcocks, recorded in the mid 1980s. Tiomkin assembled the suite himself, including themes from RED RIVER, DUEL IN THE SUN, GIANT, RAWHIDE, HIGH NOON and THE ALAMO and was originally used to underscore a documentary spotlighting the southwest of Texas, the homeland of President Lyndon Johnson and included narration by Gregory Peck.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDimitri Tiomkin was a Russian Jewish composer who emigrated to America and became one of the most distinguished and best-loved music writers in Hollywood. He won a hallowed place in the pantheon of the most successful and productive composers in American film history, earning himself four Oscars and sixteen Academy Awards nominations. Classically trained in Saint Petersburg before the Bolshevik Revolution, he moved to Berlin and then to New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including DUEL IN THE SUN, RED RIVER, HIGH NOON, THE BIG SKY, 55 DAYS AT PEKING, GUNFIGHT AT THE O.K. CORRAL, RIO BRAVO, and LAST TRAIN FROM GUNHILL.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eOriginally released on vinyl in the early 1980s by Unicorn-Kanchana and later an early compact disc in the late 1980s, Citadel Records, a division of BSX Records, is proud to bring these recordings back into the marketplace, under license from Unicorn Records Limited, with the music newly remastered by James Nelson at Digital Outland and retaining the original liner notes written by Christopher Palmer.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTHE WESTERN FILM WORLD OF DIMITRI TIOMKIN is a limited edition release. \u003cmeta charset=\"utf-8\"\u003eTHE WESTERN FILM WORLD OF DIMITRI TIOMKIN \u003cspan style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eis expected to begin shipping the week of March 23rd, 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e01. Prelude (from \"Giant\") (2:18)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Westerns_Of_Dimitri_Tiomkin\/02%20Prelude%20And%20Wagon%20Train%20from%20Red%20River.mp3\"\u003e02. Prelude And Wagon Train (from \"Red River\") (4:02)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e03. Red River Crossing (from \"Red River\") (2:32)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e04. The Challenge And Finale (from \"Red River\") (3:20)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Westerns_Of_Dimitri_Tiomkin\/05%20Prelude%20And%20Legend%20from%20Duel%20In%20The%20Sun.mp3\"\u003e05. Prelude And Legend (from \"Duel In The Sun\") (3:06)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e06. The Buggy Ride (from \"Duel In The Sun\") (2:35)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e07. Trek To The Sun, Love-Death And Finale (from \"Duel In The Sun\") (5:03)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Westerns_Of_Dimitri_Tiomkin\/08%20Main%20Titles%20from%20High%20Noon.mp3\"\u003e08. Main Titles (from \"High Noon\") (2:56)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e09. The Clock And Showdown (from \"High Noon\") (8:46)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. End Titles (from \"High Noon\") (1:11)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Westerns_Of_Dimitri_Tiomkin\/11%20Follow%20The%20River%20from%20Night%20Passage.mp3\"\u003e11. Follow The River (from \"Night Passage\") (3:01)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e12. De Guella (from \"Rio Bravo\") (3:35)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Westerns_Of_Dimitri_Tiomkin\/13%20Love%20Theme%20from%20Rio%20Bravo.mp3\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Love Theme (from \"Rio Bravo\") (2:31)\u003c\/a\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e14. End Titles (from \"Rio Bravo\") (1:59)\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe John McCarthy Singers with Bob Saker, baritone.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eThe London Studio Symphony Orchestra, Leader, Hugh Bean.\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eConducted by Laurie Johnson\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eBONUS TRACK\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. A President's Country - Suite (11:44)\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe Royal College of Music Orchestra. David King, Organ. \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eConducted by Sir David Willcocks\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eTotal Time: 58:44\u003c\/span\u003e\u003c\/p\u003e","brand":"Citadel Records","offers":[{"title":"Default Title","offer_id":41898121986083,"sku":"STC77148","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Western_Films_of_Dimitri_Tiomkin_CD_Digital_cover_289e309a-872e-4571-a1ce-b5d245c38cb0.jpg?v=1773340625"},{"product_id":"gauguin-and-gerald-fried-gauguin-the-savage-gauguin-in-tahiti","title":"GAUGUIN AND GERALD FRIED: Gauguin the Savage \/ Gauguin in Tahiti","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cimg height=\"39\" width=\"304\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\"\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents GAUGUIN AND GERALD FRIED, featuring music composed by Gerald Fried (THE MAN FROM U.N.C.L.E., STAR TREK,ROOTS) for two very different television programs that focused on the French Impressionist painter Eugene Henri Paul Gauguin.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eGAUGUIN THE SAVAGE was a feature-length docudrama that premiered on the CBS television network in the spring of 1980. David Carradine starred as the artist with Lynn Redgrave playing his long-suffering wife, Mette-Sophie Gad. The film begins with Gauguin as a Parisian stockbroker struggling to support his growing family. He is frustrated at having no free time to focus on the one thing he truly loves — his art. This obsession propels him to walk out on his family and eventually share quarters with Vincent Van Gogh (Barrie Houghton).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eGauguin’s self-centered attitude alienates him from many colleagues and patrons until he sees the only road to limitless creativity is to escape “civilization”. He flees to a land he believes is full of wild and primitive beauty — Tahiti. Yet, after a long sea voyage, he discovers to his dismay that it is a very modern community with all the comforts other French settlers have brought. Gauguin flees into the jungle, where he lives among the unspoiled natives and marries a local girl, Teha’amana, despite not being divorced from Mette-Sophie. It is here that Gauguin begins to develop his unique style, one marked by bold colors inspired by the landscape and native lifestyle, with Teha’amana as his main model. Fried composed a lush orchestral score to convey Gauguin’s passionate, often self-destructive, drive as he seeks to render his view of the world within his art.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eThirteen years earlier, Gerald Fried was engaged to score a 1967 CBS documentary GAUGUIN IN TAHITI: THE SEARCH FOR PARADISE. Narrated by Charles Kuralt, the one-hour presentation centered on the artist’s time in the islands painting, sculpting, and creating ceramic works. In another unusual coincidence, Lynn Redgrave’s father, Michael, was cast as the voice of Gauguin, reading the artist’s own words from his many diaries and letters.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBorn February 1928 in the Bronx, Gerald Fried’s interest in music found its first fruition at the High School of Music \u0026amp; Art in New York City. He attended The Juilliard School of Music as an oboe major, graduating in 1945. Among his earliest friends was a bright kid named Stanley Kubrick. The two of them used to hang around Greenwich Village and talk about their budding interests, Fried’s in classical music and Kubrick’s in filmmaking. Their interests merged when Kubrick began filming DAY OF THE FIGHT, an 18-minute short about boxing. Knowing Fried was a music major, Kubrick asked him if he could write the score for his boxing picture. Fried agreed, then spent months going to the movies to learn how film scores worked, there being no schools or courses on film music in those days. Fried wrote an effective score, and Kubrick sold the film to RKO Pathé. Fried rejoined Kubrick to score four more of his films, including THE KILLING and PATHS TO GLORY, where the young filmmaker first gained his reputation.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAfter the success of THE KILLING in 1956, Kubrick moved to Los Angeles, shortly followed by Fried, who was immediately hired to compose and arrange music for several films, including THE VAMPIRE, THE RETURN OF DRACULA, MACHINE GUN KELLY and I, MOBSTER, I BURY THE LIVING, and TIMBUKTU (1959). By the 1960s, Fried moved into television, scoring episodes of such seminal shows of the decade as GILLIGAN’S ISLAND, THE MAN FROM U.N.C.L.E., MISSION: IMPOSSIBLE and STAR TREK. By the 1970s Fried was composing music for numerous made-for-TV movies. His best-known score of the decade was for the1977 miniseries ROOTS, which he took over scoring when Quincy Jones fell behind and was unable to meet the broadcast deadline for the eight-hour miniseries. Both Jones and Fried won Emmy Awards for their musical efforts on the series. During the ‘80s, Fried continued to compose music for television series, movies, and documentaries, and an occasional feature film. These are just two of the many magnificent scores Fried wrote throughout his career. The composer passed away on February 17, 2023 at the age of 95. His work remains a testament to his talent and dedication to the art of composition and he is remembered as a key figure in the evolution of music for film and television.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents GAUGUIN AND GERALD FRIED, featuring the world premiere release of GAUGUIN THE SAVAGE and GAUGUIN IN TAHITI: THE SEARCH FOR PARADISE, featuring music composed by Gerald Fried. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by author David Hirsch.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eGAUGUIN AND GERALD FRIED is a limited edition release. GAUGUIN AND GERALD FRIED is expected to begin shipping the week of March 23rd, 2026\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eGAUGUIN THE SAVAGE\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Gauguin_Gerald_Fried\/01%20Main%20Title%20-%20Tahiti%20_%20Diagnosis%20and%20Paris%20Flashback.mp3\"\u003e01. Main Title-Tahiti \/ Diagnosis \u0026amp; Paris Flashback (3:38)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e02. I Hated That Hat And Coat (2:19)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e03. Tahitian Hospital Recovery \/ Sex Is The Best Medicine (5:24)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e04. Father \u0026amp; Daughter Talk \/ Painting In A Frozen Danish Attic (1:22)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Gauguin_Gerald_Fried\/05%20Aline%20I%20Can_t%20Work%20Here.mp3\"\u003e05. Aline, I Can’t Work Here (3:02)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e06. Painting With Van Gogh \/ A Disturbing Portrait \/ \u003c\/span\u003e\u003cspan class=\"s1\"\u003eVincent’s Girl \/ \u003cbr\u003e       Mutilation (3:33)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e07. Leaving Vincent \/ To Your Voyage \/ Sailing To Tahiti (2:07)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e08. Rejecting ‘Civilization’ \/ A Letter To Aline (2:35)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e09. Every Man Needs Wahini (2:29)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e10. In Search Of A Wife (1:48)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Gauguin_Gerald_Fried\/11%20Gogi%20Will%20You%20Be%20Good%20To%20My%20Daughter.mp3\"\u003e11. “Gogi, Will You Be Good To My Daughter?” (2:19)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e12. Forty-Four Canvases (1:42)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e13. Ruffians Abduct Annah \/ Papa’s Home \/ Papa Put Out (2:59)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e14. Before I Can Paint It, I Must First Find It (2:50)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e15. The Doctor Has Given Me Mercury (1:04)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e16. Aline Has Died \/ Painting The Great Vision (6:08)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e17. Arsenic By The Sea \/ Gauguin’s End (1:56)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e18. You Have To Believe In Me \/ End Credits (2:48)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e19. “Get Big Drunk” (Bonus Music \u0026amp; Effects) (1:04)=\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e20. Journey To Tahiti (Bonus Music \u0026amp; Effects) (1:50)\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eGAUGUIN IN TAHITI: THE SEARCH FOR PARADISE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Gauguin_Gerald_Fried\/21%20Prologue%20\u0026amp;%20Main%20Credits.mp3\"\u003e21. Prologue \u0026amp; Main Credits (1:56)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e22. A Simple Brittany Life \/ Abandoning Family \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u0026amp; Civilization For Paradise (8:16)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Gauguin_Gerald_Fried\/23%20Alienating%20The%20European%20Settlers%20_%20Teha_amana_s%20Theme.mp3\"\u003e23. Alienating The European Settlers \/ Teha’amana’s Theme \/\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Gauguin_Gerald_Fried\/23%20Alienating%20The%20European%20Settlers%20_%20Teha_amana_s%20Theme.mp3\"\u003e       Fired By His Patron (4:29)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e24. Broke \u0026amp; Forced To Work \/ Syphilis \/ His Epic Work \/ Paradise Dead (3:43)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Gauguin_Gerald_Fried\/25%20Pagan%20Gods%20and%20Myths.mp3\"\u003e25. Pagan Gods \u0026amp; Myths \/ Paradise Lost \u0026amp; Found In Art (6:23)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e26. Ready To Return \/ Deathbed \/ End Credits (1:59)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eTotal Time: 77:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/4k1z7iWoPU8DAlGWXN9HkX?utm_source=generator\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Dragon's Domain Records","offers":[{"title":"Default Title","offer_id":41898124476451,"sku":"DDR898","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Gauguin_Gerald_Fried_CD_Digital_cover.jpg?v=1771860504"},{"product_id":"miklos-rozsa-the-private-files-of-j-edgar-hoover-background-to-violence","title":"The Private Files Of J. Edgar Hoover \/ Background To Violence - Original Score by Miklós Rózsa","description":"\u003cp class=\"MsoNormal\"\u003e\u003cimg height=\"40\" width=\"312\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\"\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eSTC77153\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCitadel Records, a division of BSX Records, presents music from the original score to THE PRIVATE FILES OF J. EDGAR HOOVER, composed by the legendary Miklós Rózsa (BEN-HUR, KING OF KINGS, EL CID) for the 1977 biography directed and written by Larry Cohen (IT’S ALIVE, Q, THE WINGED SERPENT, PHONE BOOTH), starring Broderick Crawford as Hoover, along with Michael Parks, Jose Ferrer, Celeste Holm, Rip Torn, Dan Dailey, Ronee Blakley, Howard Da Silva, John Marley, Michael Sacks, Raymond St. Jacques, Lloyd Nolan and James Wainwright. THE PRIVATE FILES OF J. EDGAR HOOVER tells the story of the late J. Edgar Hoover, who was the head of the FBI from 1924-1972 and follows Hoover from his racket-busting days through his reign under eight U.S. Presidents.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAlso included on the album is the composer’s BACKGROUND TO VIOLENCE suite. Assembled by the composer, the suite is consists of selections from THE KILLERS, BRUTE FORCE and THE NAKED CITY, powerful scores for film noir films from early in the composer’s career and featuring a classic style that he would return to later in his career both with THE PRIVATE FILES OF J. EDGAR HOOVER and DEAD MEN DON’T WEAR PLAID, among others.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBorn in Budapest, Hungary in 1907, composer Miklós Rózsa studied the violin from the age of 5. While living in London in 1935, Rózsa was hired by legendary producer Alexander Korda to score his film, KNIGHT WITHOUT ARMOR. Later, while composing the music for another Korda production, THE THIEF OF BAGDAD, Rózsa moved to California, where he remained for the rest of his life. Throughout his film career, he worked in many genres but distinguished himself writing music for the film noirs of the 1940’s and the great costume epics of the 1950’s and 1960’s. A classically trained composer, Rózsa was well known for his dedication to researching the musical history of the time periods of the films he worked on. His filmography includes music composed for films such as THE THIEF OF BAGDAD, THE JUNGLE BOOK, DOUBLE INDEMNITY, SPELLBOUND, THE LOST WEEKEND, QUO VADIS, IVANHOE, JULIUS CAESAR, KNIGHTS OF THE ROUND TABLE, BEN-HUR, KING OF KINGS, EL CID, THE PRIVATE LIFE OF SHERLOCK HOLMES, THE GOLDEN VOYAGE OF SINBAD and TIME AFTER TIME, among others.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCitadel Records, a division of BSX Records, presents this new release of THE PRIVATE FILES OF J. EDGAR HOOVER, newly remastered by James Nelson at Digital Outland and retaining the original album liner notes by Alain Silver and Tony Thomas, along with the composer’s notes for the BACKGROUND TO VIOLENCE suite.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eTHE PRIVATE FILES OF J. EDGAR HOOVER is a limited edition release of 500\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eunits. THE PRIVATE FILES OF J. EDGAR HOOVER will begin shipping the week of\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eMay 26, 2026 \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eTHE PRIVATE FILES OF J. EDGAR HOOVER\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e01. \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eMain Title \u003cspan class=\"s1\"\u003e(3:03)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Private_Files_Background_Violence\/02%20Suicide%20Trap.mp3\"\u003e02. Suicide Trap (2:06)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e03. \u003c\/span\u003eShadowing Nixon \u003cspan class=\"s1\"\u003e(1:32)\u003c\/span\u003e\u003cbr\u003e04. \u003cspan class=\"s2\"\u003eSuspicion \u003c\/span\u003e(2:29)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Private_Files_Background_Violence\/05%20Purse%20Snatcher.mp3\"\u003e05. Purse Snatcher (1:49)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e06. \u003c\/span\u003e“And Finally Purvis Broke” \u003cspan class=\"s1\"\u003e(1:14)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e07. \u003c\/span\u003eThe Hijacker \u003cspan class=\"s1\"\u003e(1:55)\u003c\/span\u003e\u003cbr\u003e08. \u003cspan class=\"s2\"\u003eHold On \u003c\/span\u003e(1:02)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Private_Files_Background_Violence\/09%20The%20Meeting.mp3\"\u003e09. The Meeting (1:55)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e10. \u003cspan class=\"s2\"\u003eShredding \u003c\/span\u003e(1:06)\u003cbr\u003e\u003cspan class=\"s1\"\u003e11. \u003c\/span\u003eTemptation \u003cspan class=\"s1\"\u003e(4:00)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e12. \u003c\/span\u003eThe Bloodhound \u003cspan class=\"s1\"\u003e(1:54)\u003c\/span\u003e\u003cbr\u003e13. \u003cspan class=\"s2\"\u003eWiretaps \u003c\/span\u003e(1:02)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e14. \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eMother’s Death \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(0:56)\u003c\/span\u003e\u003cbr\u003e15. \u003c\/span\u003eCreepy Surprise \u003cspan class=\"s1\"\u003e(0:41)\u003c\/span\u003e\u003cbr\u003e16. \u003cspan class=\"s2\"\u003eDr. King \u003c\/span\u003e(2:05)\u003cbr\u003e17. \u003cspan class=\"s2\"\u003eR.F.K. \u003c\/span\u003e(0:34)\u003cbr\u003e\u003cspan class=\"s1\"\u003e18. \u003c\/span\u003eDeath Of The Director \u003cspan class=\"s1\"\u003e(1:19)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Private_Files_Background_Violence\/19%20Farewell%20To%20A%20President.mp3\"\u003e19. Farewell To A President (1:51)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e20. \u003c\/span\u003e“There’s No Romance In A Dead Rat” \u003cspan class=\"s1\"\u003e(0:44)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e21. \u003c\/span\u003eAttorney General \u003cspan class=\"s1\"\u003e(1:23)\u003c\/span\u003e\u003cbr\u003e22. \u003cspan class=\"s2\"\u003eCourting \u003c\/span\u003e(0:41)\u003cbr\u003e\u003cspan class=\"s1\"\u003e23. \u003c\/span\u003eEnd Titles \u003cspan class=\"s1\"\u003e(4:30)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eBACKGROUND TO VIOLENCE\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Private_Files_Background_Violence\/24%20Prelude%20to%20Murder%20(From%20Brute%20Force).mp3\"\u003e24. Prelude To Murder (From “Brute Force”) (4:50)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e25. \u003c\/span\u003eNocturno (From “Brute Force”) \u003cspan class=\"s1\"\u003e(5:13)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Private_Files_Background_Violence\/26%20Scherzo%20(From%20Brute%20Force).mp3\"\u003e26. Scherzo (From “Brute Force”) (2:08)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e27. \u003c\/span\u003eDespair (From “The Killers”) \u003cspan class=\"s1\"\u003e(3:18)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e28. \u003c\/span\u003ePursuit (From “The Naked City”) \u003cspan class=\"s1\"\u003e(2:30)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e29. \u003c\/span\u003eEpilogue: The Song Of A City (From “The Naked City”) \u003cspan class=\"s1\"\u003e(3:12)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eTotal Time: 62:17\u003c\/span\u003e\u003c\/p\u003e","brand":"Amber Records","offers":[{"title":"Default Title","offer_id":42205475635235,"sku":"STC77153","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Private_Files_CD_Digital_cover_cc776eb4-f7d3-4a83-8329-199ea42fa68f.jpg?v=1778774877"},{"product_id":"the-lalo-schfirin-collection-vol-2-escape-to-athena-tank-copy-1","title":"Gerald Fried: The Grissom Gang (Original Score)","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\" alt=\"\" width=\"335\" height=\"43\"\u003e\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cb\u003eDDR895\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDragon’s Domain Records presents THE GRISSOM GANG, featuring music composed by Gerald Fried (THE MAN FROM U.N.C.L.E., STAR TREK, ROOTS) for the 1971 dramatic film directed by Robert Aldrich (THE FLIGHT OF THE PHOENIX, THE DIRTY DOZEN, WHATEVER HAPPENED TO BABY JANE?), starring Scott Wilson, Kim Darby, Tony Musante, Robert Lansing, Connie Stevens, Irene Dailey, Wesley Addy, Michael Baseleon, Ralph Waite, Hal Baylor and Matt Clark.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eReleased in 1971, THE GRISSOM GANG follows a group of small-time criminals as they attempt to rob a wealthy socialite’s jewelry. During the bungled robbery, they impulsively kidnap Barbara Blandish (Darby), the sheltered daughter of a powerful millionaire. Their poorly planned crime quickly spirals out of control when the ruthless Grissom family, an organized gang of criminals led by domineering matriarch Ma Grissom (Dailey), learns of the kidnapping. Seeing an opportunity for a large ransom, the Grissoms seize Barbara from the original kidnappers and take control of the operation...\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDirector Robert Aldrich and composer Gerald Fried worked together several times, on films such as TOO LATE THE HERO and THE KILLING OF SISTER GEORGE. Rather than emphasizing traditional gangster-film excitement, Fried wrote a score for THE GRISSOM GANG that underscores the film’s disturbing psychological tone. The music frequently uses sparse orchestration, haunting melodies, and uneasy harmonic textures to evoke the emotional instability of the characters.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBorn February 1928 in the Bronx, Gerald Fried’s interest in music found its first fruition at the High School of Music \u0026amp; Art in New York City. He attended The Juilliard School of Music as an oboe major, graduating in 1945. Among his earliest friends was a bright kid named Stanley Kubrick. The two of them used to hang around Greenwich Village and talk about their budding interests, Fried’s in classical music and Kubrick’s in filmmaking. Their interests merged when Kubrick began filming DAY OF THE FIGHT, an 18-minute short about boxing. Knowing Fried was a music major, Kubrick asked him if he could write the score for his boxing picture. Fried agreed, then spent months going to the movies to learn how film scores worked, there being no schools or courses on film music in those days. Fried wrote an effective score, and Kubrick sold the film to RKO Pathé. Fried rejoined Kubrick to score four more of his films, including THE KILLING and PATHS TO GLORY, where the young filmmaker first gained his reputation.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAfter the success of THE KILLING in 1956, Kubrick moved to Los Angeles, shortly followed by Fried, who was immediately hired to compose and arrange music for several films, including THE VAMPIRE, THE RETURN OF DRACULA, MACHINE GUN KELLY and I, MOBSTER, I BURY THE LIVING, and TIMBUKTU (1959). By the 1960s, Fried moved into television, scoring episodes of such seminal shows of the decade as GILLIGAN’S ISLAND, THE MAN FROM U.N.C.L.E., MISSION: IMPOSSIBLE and STAR TREK. By the 1970s Fried was composing music for numerous made-for-TV movies. His best-known score of the decade was for the 1977 miniseries ROOTS, which he took over scoring when Quincy Jones. Both Jones and Fried won Emmy Awards for their musical efforts on the series. During the ‘80s, Fried continued to compose music for television series, movies, and documentaries, and an occasional feature film. These are just two of the many magnificent scores Fried wrote throughout his career. The composer passed away on February 17, 2023 at the age of 95. His work remains a testament to his talent and dedication to the art of composition and he is remembered as a key figure in the evolution of music for film and television.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTHE GRISSOM GANG is expected to begin shipping the week of May 26th, 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Grissom_Gang\/01%20Opening%20Credits.mp3\"\u003e01. Opening Titles (1:38)\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003cbr\u003e02. \u003cspan class=\"s2\"\u003eDiner #1 \u003c\/span\u003e(2:19)\u003cbr\u003e03. \u003cspan class=\"s2\"\u003eDiner #2 \u003c\/span\u003e(0:56)\u003cbr\u003e\u003cspan class=\"s1\"\u003e04. \u003c\/span\u003ePhoto Frenzy \u003cspan class=\"s1\"\u003e(1:21)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Grissom_Gang\/05%20Chase,%20Murder%20and%20Kidnap.mp3\"\u003e05. Chase, Murder \u0026amp; Kidnap (3:22)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e06. \u003c\/span\u003eGas Station #1 \u003cspan class=\"s1\"\u003e(3:04)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e07. \u003c\/span\u003eGas Station #2 \u003cspan class=\"s1\"\u003e(1:07)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Grissom_Gang\/08%20The%20Grissom%20Gang%20Arrives.mp3\"\u003e08. The Grissom Gang Arrives (2:55)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e09. \u003c\/span\u003eA Vision Of Beauty \/ Ma Grissom’s Fury \u003cspan class=\"s1\"\u003e(1:11)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e10. \u003c\/span\u003eAnna’s Place \u003cspan class=\"s1\"\u003e(2:18)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e11. \u003c\/span\u003eSlim’s Ultimatum \u003cspan class=\"s1\"\u003e(1:27)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e12. \u003c\/span\u003eGas Station #3 \u003cspan class=\"s1\"\u003e(0:54)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Grissom_Gang\/13%20Restaurant%201.mp3\"\u003e13. Restaurant #1 (3:41)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e14. \u003c\/span\u003eSuspicious Slim \u003cspan class=\"s1\"\u003e(1:25)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e15. \u003c\/span\u003ePlease Let Me Go \u003cspan class=\"s1\"\u003e(3:50)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e16. \u003c\/span\u003eI Really Can Be Nice To You \u003cspan class=\"s1\"\u003e(1:33)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e17. \u003c\/span\u003eThe Morning After \u003cspan class=\"s1\"\u003e(3:27)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Grissom_Gang\/18%20Drive%20To%20Town.mp3\"\u003e18. Drive To Town (1:53)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e19. \u003c\/span\u003eOur New Apartment \u003cspan class=\"s1\"\u003e(2:54)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e20. \u003c\/span\u003eSlim’s Theme (on chimes) \u003cspan class=\"s1\"\u003e(1:02)\u003c\/span\u003e\u003cbr\u003e21. \u003cspan class=\"s2\"\u003eNightclub \u003c\/span\u003e(1:42)\u003cbr\u003e\u003cspan class=\"s1\"\u003e22. \u003c\/span\u003eThe Private Eye \u0026amp; Ambush \u003cspan class=\"s1\"\u003e(1:41)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e23. \u003c\/span\u003eSlim To The Rescue \u003cspan class=\"s1\"\u003e(3:18)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e24. \u003c\/span\u003eThe Big Shootout \u003cspan class=\"s1\"\u003e(1:56)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e25. \u003c\/span\u003eCar \u0026amp; Motorcycle Chase \u003cspan class=\"s1\"\u003e(0:41)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e26. \u003c\/span\u003eGas Station #4 \u003cspan class=\"s1\"\u003e(1:38)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e27. \u003c\/span\u003eGas Station #5 \u003cspan class=\"s1\"\u003e(0:55)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Grissom_Gang\/28%20They%20Killed%20Ma%20_%20Don't%20Die%20For%20Me.mp3\"\u003e28. They Killed Ma \/ Don’t Die For Me (2:20)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e29. \u003c\/span\u003eThe Cops Close In \/ Slim’s Last Stand \u003cspan class=\"s1\"\u003e(2:56)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e30. \u003c\/span\u003eHe Loved Me \u003cspan class=\"s1\"\u003e(2:14)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e31. \u003c\/span\u003eFinale \u0026amp; Closing Credits \u003cspan class=\"s1\"\u003e(2:13)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eTotal Time: 65:13\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":42219725750307,"sku":"DDR895","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Grissom_Gang_CD_Digital_cover.jpg?v=1776038930"},{"product_id":"gerald-fried-the-grissom-gang-original-score-copy","title":"The Ghost And The Mrs. Muir (Original Score by Bernard Herrmann)","description":"\u003cp class=\"MsoNormal\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\" alt=\"\" width=\"335\" height=\"43\"\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eSTC77150\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCitadel Records, a division of BSX Records, presents THE GHOST AND MRS. MUIR composed by the legendary Bernard Herrmann (PSYCHO, VERTIGO, NORTH BY NORTHWEST), conducted on this release by the great Elmer Bernstein (THE MAGNIFICENT SEVEN, TO KILL A MOCKINGBIRD).\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eReleased in 1947, THE GHOST AND MRS. MUIR was directed by Joseph L. Mankiewicz, written by Philip Dunne, based on the novel by R.A. Dick, starring Gene Tierney, Rex Harrison, George Sanders, Edna Best, Vanessa Brown, Anna Lee, Robert Coote, Isobel Elsom, Victoria Horne and a very young Natalie Wood. THE GHOST AND MRS. MUIR takes place in turn-of-the-century England and finds Lucy Muir (Tierney), a young widow who moves to a seaside house with her young daughter to escape her in-laws. Lucy discovers that the place is haunted by the ghost of its former owner, Captain Daniel Gregg (Harrison). Finding that his attempts to scare Lucy away are failing, Gregg becomes Lucy’s ally and they begin to fall in love... THE GHOST AND MRS. MUIR was Bernard Herrmann’s seventh film score and the fourth of many assignments from Twentieth Century Fox. The composer considered his music for the film to have been his best work.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBernard Herrmann is one of the greatest composers of motion picture music in the twentieth century. He is considered the man behind some of the most original and distinctive film scores. He was a master at evoking psychological and dramatic tension in his music to suit the dramatic needs of a film. He won his only Oscar in 1947 for writing the score for THE DEVIL AND DANIEL WEBSTER. Herrmann made a powerful mark in radio and in 1934 he began a 25-year career as a conductor and composer in radio, working for the CBS Symphony Orchestra. In 1938, he scored the notorious infamous presentation of Orson Welles’ Halloween production of H. G. Wells’ THE WAR OF THE WORLDS broadcast. He is best remembered for his collaborations with some of Hollywood’s most celebrated film directors like Alfred Hitchcock, Orson Welles, Martin Scorsese and Brian DePalma. Described as a perfectionist, he believed that most directors didn't have a clue about music so he would blithely ignore their instructions. His filmography includes CITIZEN KANE, THE MAGNIFICENT AMBERSONS, NORTH BY NORTHWEST, VERTIGO, MYSTERIOUS ISLAND, CAPE FEAR, FAHRENHEIT 451, OBSESSION, TAXI DRIVER and many hours of episodic television including THE TWILIGHT ZONE and HAVE GUN, WILL TRAVEL, among others.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eFrom 1974 to 1979, composer Elmer Bernstein, a great believer in preserving the film music of the past, indulged an expensive whim: Re-recording excerpts from memorable scores by esteemed colleagues ranging from Alfred Newman and Miklos Rozsa to Alex North and Bernard Herrmann. This collection would span fourteen LPS and include many previously unreleased film scores, including the first recording of Herrmann’s lost score to TORN CURTAIN. Later, these historic recordings were released on compact disc by Film Score Monthly in 2006 in a limited edition box set that has continued to become scarce over the years.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCitadel Records, a division of BSX Records, is proud to bring these recordings back into the marketplace, under license from the composer’s estate with the music newly remastered by James Nelson at Digital Outland and retaining the original liner notes written by Fred Steiner. THE GHOST AND MRS. MUIR features Bernard Herrmann’s music conducted by Elmer Bernstein, performed by the Royal Philharmonic Orchestra.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eTHE GHOST AND MRS. MUIR is a limited edition soundtrack release. THE GHOST AND MRS. MUIR is expected to begin shipping the week of May 26, 2026 \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ghost_Mrs_Muir\/01%20Prelude%20_%20Local%20Train%20_%20The%20Sea.mp3\"\u003e01. Prelude \/ Local Train \/ The Sea (3:57)\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e02. \u003c\/span\u003eThe Ghost \/ The Storm \/ The Apparition \u003cspan class=\"s1\"\u003e(4:42)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e03. \u003c\/span\u003eThe Lights \/ Bedtime \u003cspan class=\"s1\"\u003e(2:50)\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ghost_Mrs_Muir\/04%20Poetry.mp3\"\u003e04. Poetry (2:19)\u003c\/a\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e05. \u003c\/span\u003eLucia \/ Dictation \/ Boyhood's End \/ Pastoral \u003cspan class=\"s1\"\u003e(3:55)\u003c\/span\u003e\u003cbr\u003e06. \u003cspan class=\"s2\"\u003eNocturne \u003c\/span\u003e(2:23)\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ghost_Mrs_Muir\/07%20London%20_%20The%20Reading%20_%20Local%20Train.mp3\"\u003e07. London \/ The Reading \/ Local Train (2:32)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e08. \u003c\/span\u003eThe Spring Sea \u003cspan class=\"s1\"\u003e(4:49)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Ghost_Mrs_Muir\/9%20Romance%20_%20Love%20_%20Farewell.mp3\"\u003e09. Romance \/ Love \/ Farewell (5:14)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e10. \u003c\/span\u003eThe Home \/ Sorrow \u003cspan class=\"s1\"\u003e(3:16)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e11. \u003c\/span\u003eThe Passing Years \/ The Late Sea \u003cspan class=\"s1\"\u003e(2:52)\u003c\/span\u003e\u003cbr\u003e12. \u003cspan class=\"s2\"\u003eForever \u003c\/span\u003e(2:39)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003eTotal Time: 41:56\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":42219729059875,"sku":"STC77150","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Ghost_and_Mrs_Muir_CD_Digital_cover.jpg?v=1776037397"},{"product_id":"the-thief-of-bagdad-original-score-by-miklos-rozsa","title":"THE THIEF OF BAGDAD: Original Score by Miklós Rózsa","description":"\u003cp\u003e\u003cimg height=\"43\" width=\"335\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_6773b870-abd3-4030-8e1a-bf6dc3f84e76.jpg?v=1776876917\"\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eCitadel Records, a division of the BSX Group, presents THE THIEF OF BAGDAD, featuring music composed by the legendary Miklós Rózsa (BEN-HUR, KING OF KINGS, EL CID) for the 1940 fantasy adventure classic, conducted on this release by the great Elmer Bernstein (THE MAGNIFICENT SEVEN, TO KILL A MOCKINGBIRD) for the film directed by Ludwig Berger, Michael Powell and Tim Whelan, written by Miles Malleson and Lajos Biro, starring Conrad Veidt, Sabu, June Duprez, John Justin, Miles Malleson, Morton Selten, Mary Morris Hay Petrie, Allan Jeayes as the Story Teller and Rex Ingram as the Djinn.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eReleased in 1940, THE THIEF OF BAGDAD is a British fantasy film classic remake of the 1924 classic of the same name. The film remains a timeless cinema masterpiece with groundbreaking technical achievements and Oscar-winning special effects that still dazzle today. The fantastical elements of the film create spectacular visual splendor, enhanced by gorgeous Technicolor cinematography. Fans of the Disney versions of Aladdin can see many of its successful elements appearing here for the first time and for composer Miklós Rózsa, THE THIEF OF BAGDAD is one of the films that established his reputation both in Europe and America. And he was only 30 years old when he wrote it...\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBorn in Budapest, Hungary in 1907, composer Miklós Rózsa studied the violin from the age of 5. While living in London in 1935, Rózsa was hired by legendary producer Alexander Korda to score his film, KNIGHT WITHOUT ARMOR. Later, while composing the music for another Korda production, THE THIEF OF BAGDAD, Rózsa moved to California, where he remained for the rest of his life. Throughout his film career, he worked in many genres but distinguished himself writing music for the film noirs of the 1940’s and the great costume epics of the 1950’s and 1960’s. A classically trained composer, Rózsa was well known for his dedication to researching the musical history of the time periods of the films he worked on. His filmography includes music composed for films such as THE THIEF OF BAGDAD, THE JUNGLE BOOK, DOUBLE INDEMNITY, SPELLBOUND, THE LOST WEEKEND, QUO VADIS, IVANHOE, JULIUS CAESAR, KNIGHTS OF THE ROUND TABLE, BEN-HUR, KING OF KINGS, EL CID, THE PRIVATE LIFE OF SHERLOCK HOLMES, THE GOLDEN VOYAGE OF SINBAD and TIME AFTER TIME, among others.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eFrom 1974 to 1979, composer Elmer Bernstein, a great believer in preserving the film music of the past, indulged an expensive whim: Re-recording excerpts from memorable scores by esteemed colleagues ranging from Alfred Newman and Miklós Rózsa to Alex North and Bernard Herrmann. This collection would span fourteen LPS and include many previously unreleased film scores, including the first recording of Herrmann’s lost score to TORN CURTAIN. Later, these historic recordings were released on compact disc by Film Score Monthly in 2006 in a limited edition box set that has continued to become scarce over the years.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eCitadel Records, a division of the BSX Group, is proud to bring these recordings back into the marketplace, under license from the composer’s estate with the music newly remastered by James Nelson at Digital Outland and retaining the original liner notes written by Christopher Palmer. THE THIEF OF BAGDAD features Miklós Rózsa’s music conducted by Elmer Bernstein, performed by the Royal Philharmonic Orchestra and the Saltarello Choir.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTHE THIEF OF BAGDAD is a limited edition soundtrack release. THE THIEF OF BAGDAD is expected to begin shipping the week of June 29th, 2026.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Thief_Of_Bagdad\/01%20Main%20Title%20_%20Harbour%20Scene.mp3\"\u003e01. Main Title \/ Harbour Scene And I Want To Be A Sailor (Sailor's Song) (4:02)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e02. The Chase (1:55)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Thief_Of_Bagdad\/03%20Abu%20And%20Achmad%20And%20Abu's%20Song.mp3\"\u003e03. Abu And Achmad And Abu's Song (2:06)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e04. Horseman's Fanfare (1:01)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e05. Love Song \/ The Pool \/ The Prince And The Princess (5:54)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Thief_Of_Bagdad\/06%20The%20Sultan's%20Toys.mp3\"\u003e06. The Sultan's Toys And Galop Of The Flying Horse (3:23)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e07. Storm At Sea \/ The Seashore (3:34)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Thief_Of_Bagdad\/08%20The%20Djinn.mp3\"\u003e08. The Djinn (3:17)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e09. The Skeleton Room \/ Duel With The Spider \/ The Return (8:27)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e10. The Blue Rose \/ Fight And Capture Of Achmad (3:29)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e11. The Golden Tent (3:38)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Thief_Of_Bagdad\/12%20Abu%20To%20The%20Rescue%20_%20Death%20Of%20Jaffar.mp3\"\u003e12. Abu To The Rescue \/ Death Of Jaffar \/ Finale (3:01)\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eTotal Time: 44:16\u003c\/span\u003e\u003c\/p\u003e","brand":"Buysoundtrax","offers":[{"title":"Default Title","offer_id":42368661127203,"sku":"STC77152","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Thief_of_Bagdad_CD-Digital_cover_0846c595-8fc8-45d9-aa36-681db92ba891.jpg?v=1778779552"},{"product_id":"she-cried-no-original-score-by-lee-holdridge","title":"SHE CRIED NO!: Original Score by Lee Holdridge","description":"\u003cp data-start=\"451\" data-end=\"887\"\u003eBSXDG0220\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBSX DIGITAL presents a premiere release of music from the original score to A SHE CRIED NO, featuring music composed by Lee Holdridge (SPLASH, THE BEASTMASTER, OLD GRINGO), for the 1996 dramatic film directed by Bethany Rooney, written by Kathleen Rowell, starring Candace Cameron Bure, Mark Paul Gosseelaar, Jenna von Oÿ, Brandon Douglas, Nikki Cox, Ray Baker, Hillary Danner, Kristoffer, Ryan Winters, Jennifer Greenhut, Scott Gurney, David Purdham, Lawrence Pressman, Julie St. Claire and Bess Armstrong.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAiring on television in 1996, SHE CRIED NO, also known as FRESHMAN FALL follows Melissa (Bure), a college freshman who is invited to a frat party by Scott (Gosselaar), along with her roommates Jordan (Oÿ) and Kellie (Cox). Scott begins to trick Melissa into getting drunk as she notices Jordan, who has passed out, being carried upstairs. When Melissa tells Scott she wants to check in on her, he takes her into his room and rapes her.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eThe next day, despite Melissa’s accusations, Scott insists the sex was consensual. She gets no support from her friends or the other students because she has no proof. After graffiti starts showing up all over campus that reads ‘Scott Baker Is A Rapist’, Melissa starts getting bullied by Scott and his frat brothers. Fed up with being scared, Melissa tries to get Scott arrested but he succeeds in manipulating a jury and is found not guilty. Devastated by the results, Melissa tries to put the assault behind her... until she finds out who has been putting up all the graffiti, someone who claims to be another of Scott’s victims.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eLee Holdridge was born in Port-au-Prince, Haiti, on March 3, 1944, and began his musical career studying violin with Hugo Mariani after his family moved to Costa Rica. Finishing high school in Boston, he went on to study composition with Nicholas Flagello and Stephen Sondheim in New York. There, he began to explore many compositional styles — for theatrical stage, chamber,rock, and underscoring short films — before coming to the attention of singer Neil Diamond.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAfter collaborating on several hit albums, Diamond asked Holdridge to assist in creating the Grammy Award-winning score for JONATHAN LIVINGSTON SEAGULL (1973). That same year, he also created music for the teen love story JEREMY.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eHoldridge soon became an in-demand composer, scoring such popular films as THE BEASTMASTER (1982), MR. MOM (1983), SPLASH (1984), OLD GRINGO (1989), INTO THIN AIR: DEATH ON EVEREST (1997), and INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT (2000). For television, he provided music for the mini-series EAST OF EDEN (1981), ATOMIC TRAIN (1999), 10.5 (2004), and established the musical formats for MOONLIGHTING (1985-89) and BEAUTY AND THE BEAST (1987-89).\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBSX Digital presents the premiere release of SHE CRIED NO, featuring music composed and conducted by Lee Holdridge. The music has been remastered by James Nelson at Digital Outland.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e01. \u003c\/span\u003eArrival \/ Jello Shooters \/ Fleeing \u003cspan class=\"s1\"\u003e(4:14)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e02. \u003c\/span\u003eMelissa Is Down \/ Melissa Goes To Class \u003cspan class=\"s1\"\u003e(2:15)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e03. \u003c\/span\u003eMelissa At Clinic \/ Confrontation \u003cspan class=\"s1\"\u003e(3:01)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e04. \u003c\/span\u003eLipstick \/ Old Photos \/ Scott's Reaction \u003cspan class=\"s1\"\u003e(2:47)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e05. \u003c\/span\u003eTestimony Montage \u003cspan class=\"s1\"\u003e(2:54)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e06. \u003c\/span\u003eTalk To Me \/ Negatives \u003cspan class=\"s1\"\u003e(1:43)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e07. \u003c\/span\u003eConfession \u003cspan class=\"s1\"\u003e(2:09)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e08. \u003c\/span\u003eTriumph \/ Finale \u003cspan class=\"s1\"\u003e(3:20)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e09. \u003c\/span\u003eEnd Credits \u003cspan class=\"s1\"\u003e(0:55)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eTotal Time: 23:18\u003c\/p\u003e","brand":"Single Music","offers":[{"title":"Default Title","offer_id":42390074196003,"sku":"BSXDG0220","price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/She_Cried_No__Digital_cover.jpg?v=1778001840"},{"product_id":"replacing-dad-original-score-by-lee-holdridge","title":"REPLACING DAD: Original Score by Lee Holdridge","description":"\u003cp\u003eDDRDG0219\u003c\/p\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot qMYqUG_convSearchResultTextHighlightSafari\"\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-WEB:8c08a0ce-c943-4e9f-a3a7-33514aacdc31-1\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-4\" data-turn-id-container=\"request-WEB:8c08a0ce-c943-4e9f-a3a7-33514aacdc31-1\" data-turn-id=\"request-WEB:8c08a0ce-c943-4e9f-a3a7-33514aacdc31-1\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5\" dir=\"auto\" data-turn-start-message=\"true\" data-message-id=\"80676e38-b454-4116-ad79-a8b4c4f6d357\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBSX DIGITAL presents a premiere release of music from the original score to REPLACING DAD, featuring musiccomposed by Lee Holdridge (SPLASH, THE BEASTMASTER, OLD GRINGO), for the 1999 dramatic comedy directed by Joyce Chopra, written by Shelley Fraser Mickle andDavid J. Hill, starring Mary McDonnell, William Russ, Jack Coleman, Erik vonDetten, Camilla Belle, Hayden Tank, Stephen Meadows, and Tippi Hedren.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAiring on television in 1999, REPLACING DAD follows Linda Marsh (McDonnell), a housewife with a seemingly perfect life in an idyllic small town. One day, Linda decides to surprise her husband, George (Russ), at the school where he is the principal on their 16th anniversary. The surprise is on her instead as she catches George kissing a teacher, and her life quickly starts to unravel. George moves out of the house, and they begin arguing over where the children should live. Drew and Mandy, the older children, remain angry with George, while the youngest child dresses up in a bunny suit and retreats into a deep depression... As life continues to descend into chaos through a seemingly never-ending series of reconciliations and missteps, Linda tries to date other men, and George tries to commit suicide after his lover breaks off their relationship.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eLee Holdridge was born in Port-au-Prince, Haiti, on March 3, 1944, and began his musical career studying violin with Hugo Mariani after his family moved to Costa Rica. Finishing high school in Boston, he went on to study composition with Nicholas Flagello and Stephen Sondheim in New York. There, he began to explore many compositional styles — for theatrical stage, chamber, rock, and underscoring short films — before coming to the attention of singer Neil Diamond.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eAfter collaborating on several hit albums, Diamond asked Holdridge to assist in creating the Grammy Award-winning score for JONATHAN LIVINGSTON SEAGULL (1973). That same year, he also created music for the teen love story JEREMY.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eHoldridge soon became an in-demand composer, scoring such popular films as THE BEASTMASTER (1982), MR. MOM (1983), SPLASH (1984), OLD GRINGO (1989), INTO THIN AIR: DEATH ON EVEREST (1997), and INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT (2000). For television, he provided music for the mini-series EAST OF EDEN (1981), ATOMIC TRAIN (1999), 10.5 (2004), and established the musical formats for MOONLIGHTING (1985-89) and BEAUTY AND THE BEAST (1987-89).\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eBSX Digital presents the premiere release of REPLACING DAD, featuring music composed and conducted by Lee Holdridge. T. James Nelson has remastered the music at Digital Outland.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e01. Opening Titles (2:10)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e02. Caught Red-Handed \/ Linda's Breakdown (2:12)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e03. George Walks Out \/ He's Not Coming Back (2:26)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e04. Willy's Bunny Costume \/ The Leaky Roof (2:20)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e05. Begging George To Come Home \/ Regret Trusting Him (1:49)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e06. Home Repair Montage (1:53)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e07. George Drops Off Presents \/ Attack Aftermath (1:24)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e08. Wedding Ring Removal \/ Linda's New Job (2:10)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e09. Drew's First Kiss \/ Dessert With The Doctor (3:13)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e10. George Is Despondent \/ Kids Hug George (2:16)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e11. Finding Willy \/ Stargazing Finale \/ End Credits (3:00)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e12. America (Source) (0:25)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e13. Jingle Bells (Sad Arrangement) (Source) (0:46)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e14. Restaurant (Source) (4:11)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e15. House Party (Source) (0:38)\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTotal Time: 30:53\u003c\/p\u003e","brand":"Single Music","offers":[{"title":"Default Title","offer_id":42390080552995,"sku":"BSXDG0219","price":8.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Replacing_Dad_Digital_cover.jpg?v=1778001840"},{"product_id":"force-five-original-motion-picture-soundtrack","title":"FORCE: FIVE - Original Motion Picture Soundtrack","description":"\u003cp\u003eDDR901\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/CD_Includes_White_Type_c1c8565f-c221-4ca9-a19b-3066f6922346.jpg?v=1778538194\" alt=\"\" width=\"304\" height=\"39\"\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents FORCE: FIVE, featuring music composed by William Goldstein for the 1981 martial arts action film directed by Robert Clouse, written by Clouse, Emil Farkas and George Goldsmith, starring Joe Lewis, Sonny Barnes, Richard Norton, Benny Urquidez, Ron Hayden, Pam Huntington, Michael Prince, Bob Schott, Amanda Wyss, Tom Villard and Master Bong Soo Han as the Reverend Rhee.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eIn FORCE: FIVE, William Stark, a top government agent, assembles a force of five martial arts experts to carry out a near-impossible assignment. They must infiltrate a religious cult led by the Reverend Rhee (Soo Han), one of the world’s most powerful religious leaders. Rhee lives on an island, surrounded by an army of trained mercenaries and fighters, his cult attracting the children of the world’s wealthiest people so that he can convince them to relinquish their inheritance and sign them over to Rhee.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eClouse started out his career strong, directing Bruce Lee in ENTER THE DRAGON and made many martial arts driven films afterwards, including BLACK BELT JONES, GAME OF DEATH, BATTLE CREEK BRAWL, GYMKATA and CHINA O’BRIEN, among others. His films featured many well known actors who were also skilled martial artists, including Jim Kelly, Jackie Chan and Cynthia Rothrock. While many martial arts action films of the time would focus on one or two fight styles, FORCE: FIVE represented an opportunity to feature a rich diversity of fighting styles with the fight choreography.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eFORCE: FIVE was scored by composer William Goldstein. He has been a recording artist for Motown and CBS Masterworks. Goldstein has scored over 50 Movie and Television projects, including FAME \u0026amp; THE MIRACLE WORKER. He has been a pioneer in the use of computers and electronic instruments in music. His most distinguishing characteristic as a composer \/ pianist is his gift of “Instant Composition”, which he shares with audiences through master classes, recitals and albums.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eGoldstein early on established himself as a composer who was comfortable all over the musical map. In addition to film scoring, recording and concert scores performed from Carnegie Hall to Symphony Hall Boston, he established himself as an innovator of New Technology.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eIn addition to his professional activities in music and film, Mr. Goldstein is a founder of the Museum of Contemporary Art in Los Angeles, a founding director of the California State Summer School for the Arts, and served for many years on both the music branch executive committee of the Academy of Motion Picture Arts and Sciences, as well as its foreign language (now International film) committee. He has also been a visiting artist for the Academy, lecturing from the Far East to the Middle East on contemporary aesthetics as well as music in film.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eHis filmography includes music for films such as THE BINGO LONG TRAVELING ALL-STARS \u0026amp; MOTOR KINGS, AN EYE FOR AN EYE, FORCED VENGEANCE, FAME, UP THE CREEK, SAVING GRACE, HELLO AGAIN, INTIMATE POWER, SHOCKER, BLOOD RIVER, THE QUARREL, Danielle Steele’s ZOYA and THE MIRACLE WORKER, as well as contributing music on television for NATIONAL GEOGRAPHIC,THE TWILIGHT ZONE, RIPLEY’S BELIEVE IT OR NOT, THE MAGICAL WORLD OF DISNEY and OCEANQUEST.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eDragon’s Domain Records presents FORCE: FIVE, featuring music composed by William Goldstein for the first time on compact disc. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by Mike Joffe.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eFORCE: FIVE is a limited edition release. FORCE: FIVE is expected to ship on the week of June 29th, 2026.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Force_Five\/01%20Force-%20Five%20Opening.mp3\"\u003e01. Force: Five Opening (3:38)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e02. Lookin’ Around Montage (3:16)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e03. Where’s The Action (Reprise Theme) \/ March \u0026amp; Chase (7:16)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Force_Five\/04%20Still%20Time%20For%20Romance.mp3\"\u003e04. Still Time For Romance (1:43)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e05. On The March Again (1:36)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e06. Still Time For Fun (Bossa Nova) (3:17)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Force_Five\/07%20Back%20To%20Business.mp3\"\u003e07. Back To Business (4:22)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e08. Laurie’s Song (2:42)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Force_Five\/09%20High%20Drama%20Unfolds.mp3\"\u003e09. High Drama Unfolds (5:11)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e10. There’s Still Laurie (1:41)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e11. Bring It On! (Reprise Theme) (3:06)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Force_Five\/12%20Going%20Home%20(Reprise%20Theme).mp3\"\u003e12. Going Home (Reprise Theme) (1:41)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e13. Final Battle (4:26)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e14. Finale \u0026amp; End Titles (4:10)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eTotal Time: 48:38\u003c\/span\u003e\u003c\/p\u003e","brand":"Dragon's Domain Records","offers":[{"title":"Default Title","offer_id":42390968139811,"sku":"DDR901","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Force_Five_CD-Digital_cover.jpg?v=1778094391"},{"product_id":"forbidden-planet-original-mgm-soundtrack","title":"Louis and Bebe Barron: Forbidden Planet - Original MGM Soundtrack (70th Anniversary Edition-Remastered)","description":"\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003ePRD-001\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eGNP Crescendo Records, under distribution by BSX Records, presents a 70th Anniversary edition of FORBIDDEN PLANET, the 1956 science fiction classic directed by Fred M. Wilcox, written by Cyril Hume, Irving Block and Allen Adler, starring Walter Pidgeon, Leslie Nielsen, Warren Stevens, Jack Kelly, Richard Anderson, Earl Holliman, George D. Wallace, Robert Dix, Jimmy Thompson, James Drury, James Best, Robby The Robot and the enchanting Anne Francis. The film's electronic music is composed and performed by Louis and Bebe Barron.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eTracklist:\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Forbidden_Planet\/1%20Main%20Title%20-%20Overture.mp3\"\u003e1. Main Titles - Overture (2:21)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e2. Deceleration (0:55)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e3. Once Around Altair (1:10)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Forbidden_Planet\/4%20The%20Landing.mp3\"\u003e4. The Landing (0:50)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e5. Flurry Of Dust - A Robot Approaches (1:10)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e6. A Shangri-La In The Desert \/ Garden With Cuddly Tiger (1:33)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e7. Graveyard - A Night With Two Moons (1:16)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Forbidden_Planet\/8%20Robby,%20Make%20Me%20A%20Gown.mp3\"\u003e8. \"Robby, Make Me A Gown\" (1:18)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e9. An Invisible Monster Approaches (0:48)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e10. Robby Arranges Flowers, Zaps Monkey (1:18)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e11. Love At The Swimming Hole (3:12)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e12. Morbius' Study (0:38)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Forbidden_Planet\/13%20Ancient%20Krell%20Music.mp3\"\u003e13. Ancient Krell Music (1:48)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e14. The Mind Booster - Creation Of Matter (0:58)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e15. Krell Shuttle Ride And Power Station (2:34)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e16. Giant Footprints In The Sand (0:45)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e17. \"Nothing Like This Claw Found In Nature!\" (1:26)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial, sans-serif; font-size: 0.875rem;\"\u003e18. Robby, The Cook, And 60 Gallons Of Booze (1:07)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Forbidden_Planet\/19%20Battle%20With%20Invisible%20Monster.mp3\"\u003e19. Battle With Invisible Monster (2:55)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e20. \"Come Back To Earth With Me\" (1:19)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e\u003ca href=\"http:\/\/buysound.webjedi.net\/Forbidden_Planet\/21%20Monster%20Pursues.mp3\"\u003e21. The Monster Pursues - Morbius Is Overcome (5:49)\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e22. The Homecoming (1:59)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e23. Overture - Reprise (2:15)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0; line-height: 1.0;\"\u003eOriginally released on compact disc by GNP Crescendo in the early days of the compact disc format, GNP Crescendo now presents this special 70th Anniversary release, with the music newly remastered.\u003c\/p\u003e\n\u003cp style=\"margin: 0.1rem 0px; line-height: 1.1; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e","brand":"GNP Crescendo","offers":[{"title":"Default Title","offer_id":42393427574819,"sku":"PR-D-001","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2615\/4500\/files\/Forbidden_Planet_PRD001_b0d26b3f-1149-4e46-ae39-d7c6fe21d764.jpg?v=1779042074"}],"url":"https:\/\/buysoundtrax.myshopify.com\/collections\/new-releases\/william-goldstein.oembed","provider":"Buysoundtrax","version":"1.0","type":"link"}