Release Date:

Downloads include choice of MP3, WAV, or FLAC

BSXDG0132

Includes Digital Booklet

Buysoundtrax Digital presents newly recorded music from the television series DAWSON'S CREEK as composed and conducted by Dennis McCarthy. 

Dawson Leery is an introspective 15-year-old and aspiring filmmaker in the small New England town of Capeside, Massachusetts. Since childhood, he has been best friends with Josephine “Joey” Potter, who routinely comes over to his house through a ladder into his bedroom for movie-watching and platonic sleepovers. Tomboy Joey, who lost her mother to cancer and whose father is in prison for drug trafficking, lives with her older sister Bessie, who runs the restaurant The Icehouse. Dawson works at a video rental store with his other best friend Pacey Witter, an underachieving class clown who occasionally squabbles with Joey. Dawson and Joey dance around a growing attraction to one another, but their dynamic shifts with the arrival of Jen Lindley, who has moved to Capeside from New York City to live with her grandparents. The series explores the characters’ coming-of-age, dealing with topics such as first love, loss, coming out, homophobia, class differences, mental health, and divorce.

Among the most dependable composers in the business, Dennis McCarthy’s career has ranged from being a session keyboardist and musical director for Glen Campbell to composing Emmy-award-winning scores for television’s “Star Trek” franchise. For more than 35 years, McCarthy has been an in-demand composer for films and television, scoring such shows as “V: The TV Series” (1984-85), “Dynasty” (1985-89), “McGyver” (1985-91), “Birdland” (1994), as well as made-for-TV movies such as “V: The Final Battle” (1984), “Overkill: The Aileen Wuornos Story” (1992), “In His Life: The John Lennon Story” (2000), and “A Modern Twain Story: The Prince and the Pauper” (2007). McCarthy gained prominence as one of the regular composers on “Star Trek: The Next Generation” beginning in 1987, and has continued in the same capacity for three subsequent Trek series (“Deep Space Nine,” “Voyager,” and “Enterprise”), as well as the seventh Star Trek feature film, “Generations” in 1994 and related media such as video games and shorts involving “Star Trek” characters. McCarthy’s efforts have gained him six Emmy Award nominations – and two wins, first in 1991 for his dramatic score to the “Unification, Part 1” episode of “Star Trek: The Next Generation,” and again in 1993 for his Main Title to “Star Trek: Deep Space Nine.”

DAWSON'S CREEK - Newly Recorded Music from the Television Series

Dennis McCarthy

$8.95

Downloads include choice of MP3, WAV, or FLAC

BSXDG0132

Includes Digital Booklet

Buysoundtrax Digital presents newly recorded music from the television series DAWSON'S CREEK as composed and conducted by Dennis McCarthy. 

Dawson Leery is an introspective 15-year-old and aspiring filmmaker in the small New England town of Capeside, Massachusetts. Since childhood, he has been best friends with Josephine “Joey” Potter, who routinely comes over to his house through a ladder into his bedroom for movie-watching and platonic sleepovers. Tomboy Joey, who lost her mother to cancer and whose father is in prison for drug trafficking, lives with her older sister Bessie, who runs the restaurant The Icehouse. Dawson works at a video rental store with his other best friend Pacey Witter, an underachieving class clown who occasionally squabbles with Joey. Dawson and Joey dance around a growing attraction to one another, but their dynamic shifts with the arrival of Jen Lindley, who has moved to Capeside from New York City to live with her grandparents. The series explores the characters’ coming-of-age, dealing with topics such as first love, loss, coming out, homophobia, class differences, mental health, and divorce.

Among the most dependable composers in the business, Dennis McCarthy’s career has ranged from being a session keyboardist and musical director for Glen Campbell to composing Emmy-award-winning scores for television’s “Star Trek” franchise. For more than 35 years, McCarthy has been an in-demand composer for films and television, scoring such shows as “V: The TV Series” (1984-85), “Dynasty” (1985-89), “McGyver” (1985-91), “Birdland” (1994), as well as made-for-TV movies such as “V: The Final Battle” (1984), “Overkill: The Aileen Wuornos Story” (1992), “In His Life: The John Lennon Story” (2000), and “A Modern Twain Story: The Prince and the Pauper” (2007). McCarthy gained prominence as one of the regular composers on “Star Trek: The Next Generation” beginning in 1987, and has continued in the same capacity for three subsequent Trek series (“Deep Space Nine,” “Voyager,” and “Enterprise”), as well as the seventh Star Trek feature film, “Generations” in 1994 and related media such as video games and shorts involving “Star Trek” characters. McCarthy’s efforts have gained him six Emmy Award nominations – and two wins, first in 1991 for his dramatic score to the “Unification, Part 1” episode of “Star Trek: The Next Generation,” and again in 1993 for his Main Title to “Star Trek: Deep Space Nine.”